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The Book of Perspective of António Rodrigues's Architectural Treatise from 1576

Bibliographic Details
Main Author: João Pedro Xavier
Publication Date: 2008
Format: Book
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://hdl.handle.net/10216/61895
Summary: The aim of this paper is to discuss the Book of Perspective, found in the extended manuscript Tratado de Arquitectura (BN, Codex 3675), dated 1576, which has been attributed to António Rodrigues (c. 1520-1590). Considering the historical context of this work, its relevance was mainly the introduction of an innovative perspective rule, which was designed to solve the questions raised by the propagation of inaccuracies and insufficiencies of previous methods, particularly evident in Serlio's Secondo Libro, Di Prospettiva. However, the author's scientific limitations prevented him from fully understanding the enormous potential of his geometrically accurate construction. He employed traditional distance measuring techniques, commonly used in his sea-faring country, related to the basic principle of similar triangles, shapes that Alberti could assemble as a pirramide visiva, promoting its intersegazione with a surface/finestra, and thus obtaining a section that represents the exact perspective of the object. Decoding and verifying the validity of this peculiar perspective rule led us to the center of the debate surrounding the origins of the perspectiva artificialis, which is still a matter of intense dispute in spite of new contributions, reinforcing the theory that considers practical geometry the mathematical basis of this representational system. This work demonstrates a striking fidelity to central perspective, a likely evidence of the Italian school Rodrigues belonged to. This is particularly obvious in some of his perspective representations of architectonic objects, especially one centrally planned composition named edeficio quadrado (squared building) with ad quadratum and ad circulum geometry, traditionally discussed in contemporary perspective and architectural treatises. Architectonically speaking, we are dealing with one of the most perfect realizations of an anthropocentric vision of the world, the very core of the spatial research undertaken in the Renaissance that, by the time this Tratado was written, was already being questioned by the counter-reform movement. Indeed, the inventory and analysis of architectural structures built following this typological unit, consecrated in the representation of this edeficio quadrado in the Book of Perspective, composes one of the most important pages written in the history of modern architecture, where Rodrigues inscribed his name with the construction of Onze Mil Virgens Chapel , built some time before 1565 in Alcácer do Sal.
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spelling The Book of Perspective of António Rodrigues's Architectural Treatise from 1576Arquitectura, ArtesArchitecture, ArtsThe aim of this paper is to discuss the Book of Perspective, found in the extended manuscript Tratado de Arquitectura (BN, Codex 3675), dated 1576, which has been attributed to António Rodrigues (c. 1520-1590). Considering the historical context of this work, its relevance was mainly the introduction of an innovative perspective rule, which was designed to solve the questions raised by the propagation of inaccuracies and insufficiencies of previous methods, particularly evident in Serlio's Secondo Libro, Di Prospettiva. However, the author's scientific limitations prevented him from fully understanding the enormous potential of his geometrically accurate construction. He employed traditional distance measuring techniques, commonly used in his sea-faring country, related to the basic principle of similar triangles, shapes that Alberti could assemble as a pirramide visiva, promoting its intersegazione with a surface/finestra, and thus obtaining a section that represents the exact perspective of the object. Decoding and verifying the validity of this peculiar perspective rule led us to the center of the debate surrounding the origins of the perspectiva artificialis, which is still a matter of intense dispute in spite of new contributions, reinforcing the theory that considers practical geometry the mathematical basis of this representational system. This work demonstrates a striking fidelity to central perspective, a likely evidence of the Italian school Rodrigues belonged to. This is particularly obvious in some of his perspective representations of architectonic objects, especially one centrally planned composition named edeficio quadrado (squared building) with ad quadratum and ad circulum geometry, traditionally discussed in contemporary perspective and architectural treatises. Architectonically speaking, we are dealing with one of the most perfect realizations of an anthropocentric vision of the world, the very core of the spatial research undertaken in the Renaissance that, by the time this Tratado was written, was already being questioned by the counter-reform movement. Indeed, the inventory and analysis of architectural structures built following this typological unit, consecrated in the representation of this edeficio quadrado in the Book of Perspective, composes one of the most important pages written in the history of modern architecture, where Rodrigues inscribed his name with the construction of Onze Mil Virgens Chapel , built some time before 1565 in Alcácer do Sal.20082008-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://hdl.handle.net/10216/61895engJoão Pedro Xavierinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-02-27T18:35:20Zoai:repositorio-aberto.up.pt:10216/61895Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T22:53:02.709563Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
title The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
spellingShingle The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
João Pedro Xavier
Arquitectura, Artes
Architecture, Arts
title_short The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
title_full The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
title_fullStr The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
title_full_unstemmed The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
title_sort The Book of Perspective of António Rodrigues's Architectural Treatise from 1576
author João Pedro Xavier
author_facet João Pedro Xavier
author_role author
dc.contributor.author.fl_str_mv João Pedro Xavier
dc.subject.por.fl_str_mv Arquitectura, Artes
Architecture, Arts
topic Arquitectura, Artes
Architecture, Arts
description The aim of this paper is to discuss the Book of Perspective, found in the extended manuscript Tratado de Arquitectura (BN, Codex 3675), dated 1576, which has been attributed to António Rodrigues (c. 1520-1590). Considering the historical context of this work, its relevance was mainly the introduction of an innovative perspective rule, which was designed to solve the questions raised by the propagation of inaccuracies and insufficiencies of previous methods, particularly evident in Serlio's Secondo Libro, Di Prospettiva. However, the author's scientific limitations prevented him from fully understanding the enormous potential of his geometrically accurate construction. He employed traditional distance measuring techniques, commonly used in his sea-faring country, related to the basic principle of similar triangles, shapes that Alberti could assemble as a pirramide visiva, promoting its intersegazione with a surface/finestra, and thus obtaining a section that represents the exact perspective of the object. Decoding and verifying the validity of this peculiar perspective rule led us to the center of the debate surrounding the origins of the perspectiva artificialis, which is still a matter of intense dispute in spite of new contributions, reinforcing the theory that considers practical geometry the mathematical basis of this representational system. This work demonstrates a striking fidelity to central perspective, a likely evidence of the Italian school Rodrigues belonged to. This is particularly obvious in some of his perspective representations of architectonic objects, especially one centrally planned composition named edeficio quadrado (squared building) with ad quadratum and ad circulum geometry, traditionally discussed in contemporary perspective and architectural treatises. Architectonically speaking, we are dealing with one of the most perfect realizations of an anthropocentric vision of the world, the very core of the spatial research undertaken in the Renaissance that, by the time this Tratado was written, was already being questioned by the counter-reform movement. Indeed, the inventory and analysis of architectural structures built following this typological unit, consecrated in the representation of this edeficio quadrado in the Book of Perspective, composes one of the most important pages written in the history of modern architecture, where Rodrigues inscribed his name with the construction of Onze Mil Virgens Chapel , built some time before 1565 in Alcácer do Sal.
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