Reviving DIY: the importance of do it youself to the portuguese alternative rock scene
Main Author: | |
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Publication Date: | 2016 |
Other Authors: | , |
Format: | Book |
Language: | eng |
Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Download full: | https://repositorio-aberto.up.pt/handle/10216/87283 |
Summary: | The approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes. |
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Reviving DIY: the importance of do it youself to the portuguese alternative rock sceneArtes do espectáculo, SociologiaPerforming arts, SociologyThe approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes.20162016-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/bookapplication/pdfhttps://repositorio-aberto.up.pt/handle/10216/87283engOliveira, AnaGuerra, PaulaCosta, Pedroinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-02-27T18:46:31Zoai:repositorio-aberto.up.pt:10216/87283Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T22:58:24.629291Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
title |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
spellingShingle |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene Oliveira, Ana Artes do espectáculo, Sociologia Performing arts, Sociology |
title_short |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
title_full |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
title_fullStr |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
title_full_unstemmed |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
title_sort |
Reviving DIY: the importance of do it youself to the portuguese alternative rock scene |
author |
Oliveira, Ana |
author_facet |
Oliveira, Ana Guerra, Paula Costa, Pedro |
author_role |
author |
author2 |
Guerra, Paula Costa, Pedro |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Oliveira, Ana Guerra, Paula Costa, Pedro |
dc.subject.por.fl_str_mv |
Artes do espectáculo, Sociologia Performing arts, Sociology |
topic |
Artes do espectáculo, Sociologia Performing arts, Sociology |
description |
The approach of DIY music careers lies in the premise that music is a unifyingpole of activities, clustering a diversity of practices and lifestylesaround it. The analysis of musical production is usually based on an entrepreneurialperspective about creative workers and, specifically, aboutthe musicians. In this context, it can be useful to revisit one of the corevalues of the punk subculture, the DIY ethos, based on empowerment, ontaking possession of the means of production, as an alternative to mainstreamproduction circuits. Starting from the case of three projects - FilhoÚnico, Haus and Hey, Pachuco! - we explore the relevance of do it yourselflogics and procedures in the construction and maintenance of musicalcareers in the alternative rock, considering their impact on Lisbon metropolitanareas music alternative scenes. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016 2016-01-01T00:00:00Z |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/book |
format |
book |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://repositorio-aberto.up.pt/handle/10216/87283 |
url |
https://repositorio-aberto.up.pt/handle/10216/87283 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.source.none.fl_str_mv |
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RCAAP |
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RCAAP |
reponame_str |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
collection |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
repository.name.fl_str_mv |
Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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