Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59

Bibliographic Details
Main Author: Oliveira, A.
Publication Date: 2016
Other Authors: Guerra, P., Costa, P.
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10071/23320
Summary: The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes.
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spelling Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes.RESER (The European Association for REsearch on SERvices), University of Naples2021-10-13T13:59:02Z2016-01-01T00:00:00Z2016-01-012021-10-13T14:57:31Zconference objectinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10071/23320eng979-12-200-1384-0Oliveira, A.Guerra, P.Costa, P.info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-07-07T03:34:56Zoai:repositorio.iscte-iul.pt:10071/23320Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:28:11.270119Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
title Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
spellingShingle Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
Oliveira, A.
title_short Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
title_full Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
title_fullStr Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
title_full_unstemmed Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
title_sort Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
author Oliveira, A.
author_facet Oliveira, A.
Guerra, P.
Costa, P.
author_role author
author2 Guerra, P.
Costa, P.
author2_role author
author
dc.contributor.author.fl_str_mv Oliveira, A.
Guerra, P.
Costa, P.
description The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes.
publishDate 2016
dc.date.none.fl_str_mv 2016-01-01T00:00:00Z
2016-01-01
2021-10-13T13:59:02Z
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dc.publisher.none.fl_str_mv RESER (The European Association for REsearch on SERvices), University of Naples
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