The role of gaze and other body movements in collaborative decision-making

Bibliographic Details
Main Author: Evola, Vito
Publication Date: 2016
Other Authors: Skubisz, Joanna, Fernandes, Carla Maria de Jesus Montez
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: http://hdl.handle.net/10362/29190
Summary: UID/LIN/03213/2013
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spelling The role of gaze and other body movements in collaborative decision-makinga study on coordinating turns in a contemporary dance improvisation exerciseSocial interaction and coordinationTurn takingContemporary dance improvisationCreativityDecision makingGazeIntersubjectivityPractice TheorySocial cognitionUID/LIN/03213/2013How does a group of people collaborate and take turns when no speaking is allowed? Unlike previous studies on turn-taking (e.g. Duncan 1972; Sacks, Schegloff & Jefferson 1974; Kendon 1967; Ochs et al. 1996), the context of this inquiry is linguistically independent. The present study intends to contribute to the literature by presenting data collected in a silent improvisation session in the context of the performing arts and its quali-quantitative analysis, where the focus is on how the body, rather than speech, participates in collaborative decision-making. Five expert performers and five non-performers, joined by choreographer Jo ̃ao Fiadeiro, were filmed separately during a contemporary dance exercise, the ”Real-Time Composition Game” (Fiadeiro 2007). The Game involves participants sitting around a table, and through means of selfselection, performing single actions at a time on a table using various objects to develop compositions and learn the nature of improvisation. A micro-analysis of portions of the session was conducted using ELAN (Lausberg & Sloetjes 2009). The annotation scheme codes for: a) directedness behavior (spatial location and orientation of the body, gaze points, object interaction); b) a formal description of movement units (MUs) of the various articulators; and c) a hermeneutic tier categorizing the functional-semiotic interpretation of the MUs (following a hierarchical taxonomy: self-focused, context-focused; communication-focused). The first two levels of annotation have an objective quality; the third level, based on the previous ones, describes raters’ subjective interpretation of the participants’ movements. Despite completing the task both collaboratively and creatively, the non-performer group reverted to those turn-taking strategies common in everyday social interactions, minus those involving the vocal modality (i.e. frequent gaze shifts and communicative body movements). In contrast, we found that intersubjectivity was actively avoided by the expert group, both in the performers’ bodily movements and mutual gaze, with turn management being regulated by means of alternative cognitive and social strategies, which will be presented. Besides the differences in communicative body movements across the groups, we will also compare self-focused movements, produced as neurophysiological responses to a cognitive load. A qualitative macro-analysis of the two groups’ entire sessions will focus on features directly related to the decision-making process throughout the improvisation exercises, such as hesitation versus determination. These differences will be analyzed under the light of recent literature focusing on social cognition and decision-making (inter alia Frith & Singer 2008). Constraints such as common knowledge, alignment, trust and the interaction of reason and emotion will be taken into account to contrast the results between the groups. The results of these analyses and their implications for computational modeling of turns in the context of of multimodality, as well as the relevance with questions of embodiment, creativity, and performance will be discussed together with future research.Centro de Linguística da UNL (CLUNL)RUNEvola, VitoSkubisz, JoannaFernandes, Carla Maria de Jesus Montez2018-01-26T23:24:08Z20162016-01-01T00:00:00Zconference objectinfo:eu-repo/semantics/publishedVersion1application/pdfhttp://hdl.handle.net/10362/29190engPURE: 1661262info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-05-22T17:30:13Zoai:run.unl.pt:10362/29190Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T17:01:12.343351Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv The role of gaze and other body movements in collaborative decision-making
a study on coordinating turns in a contemporary dance improvisation exercise
title The role of gaze and other body movements in collaborative decision-making
spellingShingle The role of gaze and other body movements in collaborative decision-making
Evola, Vito
Social interaction and coordination
Turn taking
Contemporary dance improvisation
Creativity
Decision making
Gaze
Intersubjectivity
Practice Theory
Social cognition
title_short The role of gaze and other body movements in collaborative decision-making
title_full The role of gaze and other body movements in collaborative decision-making
title_fullStr The role of gaze and other body movements in collaborative decision-making
title_full_unstemmed The role of gaze and other body movements in collaborative decision-making
title_sort The role of gaze and other body movements in collaborative decision-making
author Evola, Vito
author_facet Evola, Vito
Skubisz, Joanna
Fernandes, Carla Maria de Jesus Montez
author_role author
author2 Skubisz, Joanna
Fernandes, Carla Maria de Jesus Montez
author2_role author
author
dc.contributor.none.fl_str_mv Centro de Linguística da UNL (CLUNL)
RUN
dc.contributor.author.fl_str_mv Evola, Vito
Skubisz, Joanna
Fernandes, Carla Maria de Jesus Montez
dc.subject.por.fl_str_mv Social interaction and coordination
Turn taking
Contemporary dance improvisation
Creativity
Decision making
Gaze
Intersubjectivity
Practice Theory
Social cognition
topic Social interaction and coordination
Turn taking
Contemporary dance improvisation
Creativity
Decision making
Gaze
Intersubjectivity
Practice Theory
Social cognition
description UID/LIN/03213/2013
publishDate 2016
dc.date.none.fl_str_mv 2016
2016-01-01T00:00:00Z
2018-01-26T23:24:08Z
dc.type.driver.fl_str_mv conference object
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
status_str publishedVersion
dc.identifier.uri.fl_str_mv http://hdl.handle.net/10362/29190
url http://hdl.handle.net/10362/29190
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv PURE: 1661262
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv 1
application/pdf
dc.source.none.fl_str_mv reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron:RCAAP
instname_str FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
instacron_str RCAAP
institution RCAAP
reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
collection Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository.name.fl_str_mv Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
repository.mail.fl_str_mv info@rcaap.pt
_version_ 1833596377266913280

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