Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59
Main Author: | |
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Publication Date: | 2016 |
Other Authors: | , |
Language: | eng |
Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Download full: | http://hdl.handle.net/10071/23320 |
Summary: | The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes. |
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Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes.RESER (The European Association for REsearch on SERvices), University of Naples2021-10-13T13:59:02Z2016-01-01T00:00:00Z2016-01-012021-10-13T14:57:31Zconference objectinfo:eu-repo/semantics/publishedVersionapplication/pdfhttp://hdl.handle.net/10071/23320eng979-12-200-1384-0Oliveira, A.Guerra, P.Costa, P.info:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-07-07T03:34:56Zoai:repositorio.iscte-iul.pt:10071/23320Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:28:11.270119Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
title |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
spellingShingle |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 Oliveira, A. |
title_short |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
title_full |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
title_fullStr |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
title_full_unstemmed |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
title_sort |
Reviving DIY: The importance of do it yourself to the Portuguese alternative rock scene59 |
author |
Oliveira, A. |
author_facet |
Oliveira, A. Guerra, P. Costa, P. |
author_role |
author |
author2 |
Guerra, P. Costa, P. |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Oliveira, A. Guerra, P. Costa, P. |
description |
The approach of DIY music careers lies in the premise that music is a unifying pole of activities, clustering a diversity of practices and lifestyles around it. The analysis of musical production is usually based on an entrepreneurial perspective about creative workers and, specifically, about the musicians. In this context, it can be useful to revisit one of the core values of the punk subculture, the DIY ethos, based on empowerment, on taking possession of the means of production, as an alternative to mainstream production circuits. Starting from the case of three projects - Filho Unico, Haus and Hey, Pachuco! - we explore the relevance of do it yourself logics and procedures in the construction and maintenance of musical careers in the alternative rock, considering their impact on Lisbon metropolitan area's music alternative scenes. |
publishDate |
2016 |
dc.date.none.fl_str_mv |
2016-01-01T00:00:00Z 2016-01-01 2021-10-13T13:59:02Z 2021-10-13T14:57:31Z |
dc.type.driver.fl_str_mv |
conference object |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
http://hdl.handle.net/10071/23320 |
url |
http://hdl.handle.net/10071/23320 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
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979-12-200-1384-0 |
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info:eu-repo/semantics/openAccess |
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openAccess |
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application/pdf |
dc.publisher.none.fl_str_mv |
RESER (The European Association for REsearch on SERvices), University of Naples |
publisher.none.fl_str_mv |
RESER (The European Association for REsearch on SERvices), University of Naples |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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