O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)

Bibliographic Details
Main Author: Sampaio, Sofia
Publication Date: 2020
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://ojs.letras.up.pt/index.php/tae/article/view/10007
Summary: This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.
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spelling O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIOThis article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.2020-11-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://ojs.letras.up.pt/index.php/tae/article/view/10007porSampaio, Sofiainfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2023-10-12T07:46:03Zoai:ojs.letras.up.pt/ojs:article/10007Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T11:12:56.690026Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
spellingShingle O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
Sampaio, Sofia
DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
title_short O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_full O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_fullStr O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_full_unstemmed O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
title_sort O corpo que come: comida, visualidade e turismo (Portugal, 1969-72)
author Sampaio, Sofia
author_facet Sampaio, Sofia
author_role author
dc.contributor.author.fl_str_mv Sampaio, Sofia
dc.subject.por.fl_str_mv DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
topic DOSSIÊ ENREDOS IBÉRICOS: COMIDAS, RITOS, POLÍTICAS DE PATRIMÓNIO
description This article explores the potential of a visual anthropology of tourism, by analysing a visual object that has been largely neglected in both cinema studies and visual anthropology: the tourism promotional film. The object of analysis is the film Portugal Desconhecido [Unknown Portugal] (1969), which was made for the campaign that the Secretariat of State for Information and Tourism (SEIT) and the Tourism Head Office launched under the slogan: “There is always an unknown Portugal waiting for you”. Both the campaign and the film are indebted to the Portuguese State’s change of attitude towards tourism. The article concentrates on a sequence of images from the film that stood out in the corpus viewed, which offers some openings or “illuminations” into the study of the relationship between food and visuality in the Portuguese tourism context of the late 1960s.
publishDate 2020
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