Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
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Publication Date: | 2025 |
Other Authors: | , , |
Format: | Article |
Language: | eng |
Source: | Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
Download full: | https://doi.org/10.14568/cp37759 |
Summary: | Recently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns. |
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Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la MercedA cor na escultura arquitetónica da Idade do Ferro Ibérica: o caso do Cerro de la MercedArticlesRecently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns.Recentemente, investigações analíticas confirmaram a utilização de pigmentos na escultura autoportante da Idade do Ferro Ibérica. No entanto, as provas concretas de policromia nos muitos vestígios preservados de escultura arquitetónica, são ainda escassas. Centramo-nos no caso de um grande bloco decorado com relevos, provavelmente datado de finais do século V ou inícios do século IV AEC, recentemente encontrado no Cerro de la Merced (Cabra, Córdova). Através de análises de microscopia óptica e electrónica, espectroscopia FTIR e GC-MS, foi possível confirmar a existência de vestígios de cores vermelha e branca em toda a superfície, analisar a composição dos pigmentos utilizados e reconstruir os padrões de cor dos diferentes elementos do relevo. O nosso objetivo é aprofundar o conhecimento sobre a utilização da cor na arquitetura Ibérica e esclarecer as cores utilizadas, as técnicas de aplicação e a organização dos seus padrões.ARP - Associação Profissional de Conservadores-Restauradores de Portugal2025-01-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp37759eng2182-99421646-043XQuesada Sanz, FernandoRobles Moreno, JesúsParra Crego, EnriqueSánchez Marqués, María Isabelinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-05-27T02:32:04Zoai:ojs.revistas.rcaap.pt:article/37759Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T07:37:25.415792Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse |
dc.title.none.fl_str_mv |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced A cor na escultura arquitetónica da Idade do Ferro Ibérica: o caso do Cerro de la Merced |
title |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
spellingShingle |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced Quesada Sanz, Fernando Articles |
title_short |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
title_full |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
title_fullStr |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
title_full_unstemmed |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
title_sort |
Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced |
author |
Quesada Sanz, Fernando |
author_facet |
Quesada Sanz, Fernando Robles Moreno, Jesús Parra Crego, Enrique Sánchez Marqués, María Isabel |
author_role |
author |
author2 |
Robles Moreno, Jesús Parra Crego, Enrique Sánchez Marqués, María Isabel |
author2_role |
author author author |
dc.contributor.author.fl_str_mv |
Quesada Sanz, Fernando Robles Moreno, Jesús Parra Crego, Enrique Sánchez Marqués, María Isabel |
dc.subject.por.fl_str_mv |
Articles |
topic |
Articles |
description |
Recently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns. |
publishDate |
2025 |
dc.date.none.fl_str_mv |
2025-01-13 |
dc.type.status.fl_str_mv |
info:eu-repo/semantics/publishedVersion |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://doi.org/10.14568/cp37759 |
url |
https://doi.org/10.14568/cp37759 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
2182-9942 1646-043X |
dc.rights.driver.fl_str_mv |
info:eu-repo/semantics/openAccess |
eu_rights_str_mv |
openAccess |
dc.publisher.none.fl_str_mv |
ARP - Associação Profissional de Conservadores-Restauradores de Portugal |
publisher.none.fl_str_mv |
ARP - Associação Profissional de Conservadores-Restauradores de Portugal |
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FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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RCAAP |
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RCAAP |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) |
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Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia |
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info@rcaap.pt |
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