Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced

Detalhes bibliográficos
Autor(a) principal: Quesada Sanz, Fernando
Data de Publicação: 2025
Outros Autores: Robles Moreno, Jesús, Parra Crego, Enrique, Sánchez Marqués, María Isabel
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Texto Completo: https://doi.org/10.14568/cp37759
Resumo: Recently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns.
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spelling Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la MercedA cor na escultura arquitetónica da Idade do Ferro Ibérica: o caso do Cerro de la MercedArticlesRecently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns.Recentemente, investigações analíticas confirmaram a utilização de pigmentos na escultura autoportante da Idade do Ferro Ibérica. No entanto, as provas concretas de policromia nos muitos vestígios preservados de escultura arquitetónica, são ainda escassas. Centramo-nos no caso de um grande bloco decorado com relevos, provavelmente datado de finais do século V ou inícios do século IV AEC, recentemente encontrado no Cerro de la Merced (Cabra, Córdova). Através de análises de microscopia óptica e electrónica, espectroscopia FTIR e GC-MS, foi possível confirmar a existência de vestígios de cores vermelha e branca em toda a superfície, analisar a composição dos pigmentos utilizados e reconstruir os padrões de cor dos diferentes elementos do relevo. O nosso objetivo é aprofundar o conhecimento sobre a utilização da cor na arquitetura Ibérica e esclarecer as cores utilizadas, as técnicas de aplicação e a organização dos seus padrões.ARP - Associação Profissional de Conservadores-Restauradores de Portugal2025-01-13info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articlehttps://doi.org/10.14568/cp37759eng2182-99421646-043XQuesada Sanz, FernandoRobles Moreno, JesúsParra Crego, EnriqueSánchez Marqués, María Isabelinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-05-27T02:32:04Zoai:ojs.revistas.rcaap.pt:article/37759Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T07:37:25.415792Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
A cor na escultura arquitetónica da Idade do Ferro Ibérica: o caso do Cerro de la Merced
title Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
spellingShingle Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
Quesada Sanz, Fernando
Articles
title_short Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
title_full Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
title_fullStr Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
title_full_unstemmed Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
title_sort Colour in Iberian Iron Age architectural sculpture: the case of Cerro de la Merced
author Quesada Sanz, Fernando
author_facet Quesada Sanz, Fernando
Robles Moreno, Jesús
Parra Crego, Enrique
Sánchez Marqués, María Isabel
author_role author
author2 Robles Moreno, Jesús
Parra Crego, Enrique
Sánchez Marqués, María Isabel
author2_role author
author
author
dc.contributor.author.fl_str_mv Quesada Sanz, Fernando
Robles Moreno, Jesús
Parra Crego, Enrique
Sánchez Marqués, María Isabel
dc.subject.por.fl_str_mv Articles
topic Articles
description Recently, analytical research has confirmed the use of pigments in Iberian Iron Age freestanding sculpture. However, hard evidence of polychromy on the many preserved remains of architectural sculpture is still scarce. We focus on the case of a large block decorated with reliefs, probably dated to the end of the 5th or the beginning of the 4th century BCE, recently found at Cerro de la Merced (Cabra, Córdoba). Employing optical and electron microscopy analyses, FTIR spectroscopy, and GC-MS, it has been possible to confirm the existence of traces of red and white colour covering the entire surface, analyse the composition of the pigments employed, and to reconstruct the colour patterns of the different elements of the relief. Our aim is to deepen our understanding of the use of colour in Iberian architecture and to shed light on the colours employed, the techniques used to apply them and their arrangement patterns.
publishDate 2025
dc.date.none.fl_str_mv 2025-01-13
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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url https://doi.org/10.14568/cp37759
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2182-9942
1646-043X
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dc.publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
publisher.none.fl_str_mv ARP - Associação Profissional de Conservadores-Restauradores de Portugal
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collection Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
repository.name.fl_str_mv Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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