‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels

Bibliographic Details
Main Author: Sampaio, S.
Publication Date: 2012
Format: Article
Language: eng
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://ciencia.iscte-iul.pt/public/pub/id/16546
http://hdl.handle.net/10071/7505
Summary: In this article, I look at E.M. Forster's treatment of tourism in his Italian novels, Where Angels Fear to Tread (1905) and A Room with a View (1908), by taking the figure of the tourist as a trope for the (English) liberal. Through a close reading of these works, and inspired by Pierre Macherey's A Theory of Literary Production (1978), I focus on these novels’ gaps and contradictions. My analysis endorses James Buzard's (1993) contention that Forster's position towards tourism is one of ‘internal distance’. Forster did move beyond the facile guidebook satire, revealing awareness of the pitfalls that attend to the quest for (unmediated) authenticity. Nevertheless, I reject Buzard's postmodernist premises and conclusions. Drawing on Alain Badiou's distinction between ‘being’ and ‘event’ (2005), I argue that Forster's take on tourism evolved towards the latter: if his first tourist novel is still interested in issues of identity, i.e. in depicting tourism as the site where Englishness is constructed in stark opposition to the Italian ‘Other’, his second novel illustrates the occurrence of an ‘event’. Exploring the parallels between tourism and the political culture of liberalism (to which Forster was so closely attached), I conclude with a reflection on the political implications of this shift.
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spelling ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novelsE.M. ForsterTourismLiberalismBadiouEventIn this article, I look at E.M. Forster's treatment of tourism in his Italian novels, Where Angels Fear to Tread (1905) and A Room with a View (1908), by taking the figure of the tourist as a trope for the (English) liberal. Through a close reading of these works, and inspired by Pierre Macherey's A Theory of Literary Production (1978), I focus on these novels’ gaps and contradictions. My analysis endorses James Buzard's (1993) contention that Forster's position towards tourism is one of ‘internal distance’. Forster did move beyond the facile guidebook satire, revealing awareness of the pitfalls that attend to the quest for (unmediated) authenticity. Nevertheless, I reject Buzard's postmodernist premises and conclusions. Drawing on Alain Badiou's distinction between ‘being’ and ‘event’ (2005), I argue that Forster's take on tourism evolved towards the latter: if his first tourist novel is still interested in issues of identity, i.e. in depicting tourism as the site where Englishness is constructed in stark opposition to the Italian ‘Other’, his second novel illustrates the occurrence of an ‘event’. Exploring the parallels between tourism and the political culture of liberalism (to which Forster was so closely attached), I conclude with a reflection on the political implications of this shift.Routledge/Taylor & Francis2014-06-09T16:59:10Z2012-01-01T00:00:00Z20122014-06-09T16:57:55Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://ciencia.iscte-iul.pt/public/pub/id/16546http://hdl.handle.net/10071/7505eng0950-236XSampaio, S.info:eu-repo/semantics/embargoedAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2024-07-07T02:41:55Zoai:repositorio.iscte-iul.pt:10071/7505Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T18:04:25.047978Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
title ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
spellingShingle ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
Sampaio, S.
E.M. Forster
Tourism
Liberalism
Badiou
Event
title_short ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
title_full ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
title_fullStr ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
title_full_unstemmed ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
title_sort ‘I wish something would happen to you, my friend!’ Tourism and liberalism in E.M. Forster's Italian novels
author Sampaio, S.
author_facet Sampaio, S.
author_role author
dc.contributor.author.fl_str_mv Sampaio, S.
dc.subject.por.fl_str_mv E.M. Forster
Tourism
Liberalism
Badiou
Event
topic E.M. Forster
Tourism
Liberalism
Badiou
Event
description In this article, I look at E.M. Forster's treatment of tourism in his Italian novels, Where Angels Fear to Tread (1905) and A Room with a View (1908), by taking the figure of the tourist as a trope for the (English) liberal. Through a close reading of these works, and inspired by Pierre Macherey's A Theory of Literary Production (1978), I focus on these novels’ gaps and contradictions. My analysis endorses James Buzard's (1993) contention that Forster's position towards tourism is one of ‘internal distance’. Forster did move beyond the facile guidebook satire, revealing awareness of the pitfalls that attend to the quest for (unmediated) authenticity. Nevertheless, I reject Buzard's postmodernist premises and conclusions. Drawing on Alain Badiou's distinction between ‘being’ and ‘event’ (2005), I argue that Forster's take on tourism evolved towards the latter: if his first tourist novel is still interested in issues of identity, i.e. in depicting tourism as the site where Englishness is constructed in stark opposition to the Italian ‘Other’, his second novel illustrates the occurrence of an ‘event’. Exploring the parallels between tourism and the political culture of liberalism (to which Forster was so closely attached), I conclude with a reflection on the political implications of this shift.
publishDate 2012
dc.date.none.fl_str_mv 2012-01-01T00:00:00Z
2012
2014-06-09T16:59:10Z
2014-06-09T16:57:55Z
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http://hdl.handle.net/10071/7505
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http://hdl.handle.net/10071/7505
dc.language.iso.fl_str_mv eng
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