Dolby Atmos : a breakthrough in cinema sound?

Detalhes bibliográficos
Autor(a) principal: Idrovo, Rene
Data de Publicação: 2024
Tipo de documento: Artigo
Idioma: eng
Título da fonte: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Texto Completo: http://hdl.handle.net/10437/15236
Resumo: Today one could argue that cinema has reached a point of ‘technical perfection’, certainly the closest that we have been to what Bazin denominated “total cinema”. Film art has constantly evolved in parallel to technological developments, which have gradually moved forward towards the ‘achievement’ of such a total cinematic experience. In terms of audio, the cinema is today able to absorb us with sounds that emanate from around and above the audience, creating this way highly realistic—although imaginary—three-dimensional worlds. Under this premise, this article aims to explore the technical characteristics of Dolby Atmos, an object-based sound system that has consolidated its position as the leading solution for the production and delivery of immersive cinematic sound. The potential and challenges that this platform presents will be analysed here considering the opinions of several sound professionals, which shall give us clues regarding a better utilization of Dolby’s most advanced sonic platform.
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spelling Dolby Atmos : a breakthrough in cinema sound?DOLBY ATMOSSOUND TECHNOLOGIESSURROUND SOUNDCINEMACINEMATECNOLOGIAS DO SOMSOM SURROUNDToday one could argue that cinema has reached a point of ‘technical perfection’, certainly the closest that we have been to what Bazin denominated “total cinema”. Film art has constantly evolved in parallel to technological developments, which have gradually moved forward towards the ‘achievement’ of such a total cinematic experience. In terms of audio, the cinema is today able to absorb us with sounds that emanate from around and above the audience, creating this way highly realistic—although imaginary—three-dimensional worlds. Under this premise, this article aims to explore the technical characteristics of Dolby Atmos, an object-based sound system that has consolidated its position as the leading solution for the production and delivery of immersive cinematic sound. The potential and challenges that this platform presents will be analysed here considering the opinions of several sound professionals, which shall give us clues regarding a better utilization of Dolby’s most advanced sonic platform.Edições Universitárias Lusófonas2025-04-03T19:10:04Z2024-01-01T00:00:00Z2024info:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttp://hdl.handle.net/10437/15236eng2184-1241https://doi.org/10.60543/ijsim.v8i1.9014Idrovo, Reneinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-04-04T01:37:06Zoai:recil.ulusofona.pt:10437/15236Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-29T06:14:08.020733Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Dolby Atmos : a breakthrough in cinema sound?
title Dolby Atmos : a breakthrough in cinema sound?
spellingShingle Dolby Atmos : a breakthrough in cinema sound?
Idrovo, Rene
DOLBY ATMOS
SOUND TECHNOLOGIES
SURROUND SOUND
CINEMA
CINEMA
TECNOLOGIAS DO SOM
SOM SURROUND
title_short Dolby Atmos : a breakthrough in cinema sound?
title_full Dolby Atmos : a breakthrough in cinema sound?
title_fullStr Dolby Atmos : a breakthrough in cinema sound?
title_full_unstemmed Dolby Atmos : a breakthrough in cinema sound?
title_sort Dolby Atmos : a breakthrough in cinema sound?
author Idrovo, Rene
author_facet Idrovo, Rene
author_role author
dc.contributor.author.fl_str_mv Idrovo, Rene
dc.subject.por.fl_str_mv DOLBY ATMOS
SOUND TECHNOLOGIES
SURROUND SOUND
CINEMA
CINEMA
TECNOLOGIAS DO SOM
SOM SURROUND
topic DOLBY ATMOS
SOUND TECHNOLOGIES
SURROUND SOUND
CINEMA
CINEMA
TECNOLOGIAS DO SOM
SOM SURROUND
description Today one could argue that cinema has reached a point of ‘technical perfection’, certainly the closest that we have been to what Bazin denominated “total cinema”. Film art has constantly evolved in parallel to technological developments, which have gradually moved forward towards the ‘achievement’ of such a total cinematic experience. In terms of audio, the cinema is today able to absorb us with sounds that emanate from around and above the audience, creating this way highly realistic—although imaginary—three-dimensional worlds. Under this premise, this article aims to explore the technical characteristics of Dolby Atmos, an object-based sound system that has consolidated its position as the leading solution for the production and delivery of immersive cinematic sound. The potential and challenges that this platform presents will be analysed here considering the opinions of several sound professionals, which shall give us clues regarding a better utilization of Dolby’s most advanced sonic platform.
publishDate 2024
dc.date.none.fl_str_mv 2024-01-01T00:00:00Z
2024
2025-04-03T19:10:04Z
dc.type.status.fl_str_mv info:eu-repo/semantics/publishedVersion
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dc.identifier.uri.fl_str_mv http://hdl.handle.net/10437/15236
url http://hdl.handle.net/10437/15236
dc.language.iso.fl_str_mv eng
language eng
dc.relation.none.fl_str_mv 2184-1241
https://doi.org/10.60543/ijsim.v8i1.9014
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dc.publisher.none.fl_str_mv Edições Universitárias Lusófonas
publisher.none.fl_str_mv Edições Universitárias Lusófonas
dc.source.none.fl_str_mv reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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reponame_str Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
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