Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros

Bibliographic Details
Main Author: Frias, Joana Matos
Publication Date: 2015
Format: Article
Language: por
Source: Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
Download full: https://hdl.handle.net/10216/79035
Summary: Along with António Ferro, Almada Negreiros was one of the few artists of the first portuguese Modernist movement who was truly and deeply interested in cinema, so that he wrote some really important essays about it. Considering those essays, as well as Almada's several collaborations with the cinematographic industry, this paper will evaluate the cinematic significance of some of his fictional and poetical works. Theoretically, it will be based upon a historical viewpoint that will focus on the coincidence between the birth of cinema as a new mode of representing pictures, and Psychanalysis as a new descriptive method concerning mental images.
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spelling Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada NegreirosHumanidadesHumanitiesAlong with António Ferro, Almada Negreiros was one of the few artists of the first portuguese Modernist movement who was truly and deeply interested in cinema, so that he wrote some really important essays about it. Considering those essays, as well as Almada's several collaborations with the cinematographic industry, this paper will evaluate the cinematic significance of some of his fictional and poetical works. Theoretically, it will be based upon a historical viewpoint that will focus on the coincidence between the birth of cinema as a new mode of representing pictures, and Psychanalysis as a new descriptive method concerning mental images.20152015-01-01T00:00:00Zinfo:eu-repo/semantics/publishedVersioninfo:eu-repo/semantics/articleapplication/pdfhttps://hdl.handle.net/10216/79035por1646-1762Frias, Joana Matosinfo:eu-repo/semantics/openAccessreponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiainstacron:RCAAP2025-02-27T17:08:15Zoai:repositorio-aberto.up.pt:10216/79035Portal AgregadorONGhttps://www.rcaap.pt/oai/openaireinfo@rcaap.ptopendoar:https://opendoar.ac.uk/repository/71602025-05-28T22:04:14.488647Repositórios Científicos de Acesso Aberto de Portugal (RCAAP) - FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologiafalse
dc.title.none.fl_str_mv Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
title Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
spellingShingle Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
Frias, Joana Matos
Humanidades
Humanities
title_short Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
title_full Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
title_fullStr Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
title_full_unstemmed Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
title_sort Quem filmou o meu ser enquanto eu sonhava? : o inconsciente cinemático de Almada Negreiros
author Frias, Joana Matos
author_facet Frias, Joana Matos
author_role author
dc.contributor.author.fl_str_mv Frias, Joana Matos
dc.subject.por.fl_str_mv Humanidades
Humanities
topic Humanidades
Humanities
description Along with António Ferro, Almada Negreiros was one of the few artists of the first portuguese Modernist movement who was truly and deeply interested in cinema, so that he wrote some really important essays about it. Considering those essays, as well as Almada's several collaborations with the cinematographic industry, this paper will evaluate the cinematic significance of some of his fictional and poetical works. Theoretically, it will be based upon a historical viewpoint that will focus on the coincidence between the birth of cinema as a new mode of representing pictures, and Psychanalysis as a new descriptive method concerning mental images.
publishDate 2015
dc.date.none.fl_str_mv 2015
2015-01-01T00:00:00Z
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dc.type.driver.fl_str_mv info:eu-repo/semantics/article
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dc.identifier.uri.fl_str_mv https://hdl.handle.net/10216/79035
url https://hdl.handle.net/10216/79035
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv 1646-1762
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dc.source.none.fl_str_mv reponame:Repositórios Científicos de Acesso Aberto de Portugal (RCAAP)
instname:FCCN, serviços digitais da FCT – Fundação para a Ciência e a Tecnologia
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repository.mail.fl_str_mv info@rcaap.pt
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