VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE
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Publication Date: | 2022 |
Other Authors: | , |
Format: | Article |
Language: | por |
Source: | Revista da Fundarte (Online) |
Download full: | https://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/1052 |
Summary: | The paper aims to develop experiments in videodance. Videodance is constituted from a field of intersection between dance and audiovisual. Thus, the study aims to conceive, create and produce three videodances from the same choreography, having Spanghero (2003) as main reference. The research is exploratory in nature and involves a research in art, as the videodances were produced by the researchers and informs our discussion. As results we can point out: the audiovisual influences the visuality of the dance; the creation processes of the choreographer and of the filmmaker are different; the audiovisual resources provide new perspectives on the visuality of dance. |
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VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCEEXPERIMENTAÇÕES EM VIDEODANÇA: A INFLUÊNCIA DO AUDIOVISUAL NA VISUALIDADE DA DANÇAVideodançaDançaAudiovisualVideodanceDanceAudiovisualThe paper aims to develop experiments in videodance. Videodance is constituted from a field of intersection between dance and audiovisual. Thus, the study aims to conceive, create and produce three videodances from the same choreography, having Spanghero (2003) as main reference. The research is exploratory in nature and involves a research in art, as the videodances were produced by the researchers and informs our discussion. As results we can point out: the audiovisual influences the visuality of the dance; the creation processes of the choreographer and of the filmmaker are different; the audiovisual resources provide new perspectives on the visuality of dance.O artigo visa desenvolver experimentações em videodança. A videdoança constitui-se a partir de um campo de intersecção entre a dança e o audiovisual. Desse modo, o trabalho visa conceber, criar e produzir três videodanças a partir de uma mesma coreografia tendo como embasamento Spanghero (2003), a fim de explorar as diversas visualidades da dança em sua relação com a câmera. A pesquisa é de caráter exploratório e envolve uma pesquisa em arte, pois as videodanças foram produzidas pelos pesquisadores que informam sua discussão. Como resultados, nós destacamos: o audiovisual influencia na visualidade da dança; os processos de criação do coreógrafo e do cineasta são diferentes; os recursos audiovisuais proporcionam novos olhares para a visualidade da dança.Editora da FUNDARTE2022-08-29info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/105210.19179/rdf.v50i50.1052Revista da FUNDARTE; v. 50 n. 50 (22): Trajetórias em Arte: Possibilidades para Performar e Educar na Contemporaneidade2319-08681519-656910.19179/rdf.v50i50reponame:Revista da Fundarte (Online)instname:Fundação Municipal de Artes de Montenegro (FUNDARTE)instacron:FUNDARTEporhttps://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/1052/1231Copyright (c) 2022 Anibal Guedes, Fernando Franciosi, Alexandra Gonçalves Diashttps://creativecommons.org/licenses/by-nc-nd/4.0info:eu-repo/semantics/openAccessLopes Guedes, Anibal Franciosi Scariot, FernandoGonçalves Dias, Alexandra 2025-04-22T17:24:50Zoai:ojs.pkp.sfu.ca:article/1052Revistahttps://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/indexPUBhttps://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/oaijulia@fundarte.rs.gov.br2319-08681519-6569opendoar:2025-04-22T17:24:50Revista da Fundarte (Online) - Fundação Municipal de Artes de Montenegro (FUNDARTE)false |
dc.title.none.fl_str_mv |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE EXPERIMENTAÇÕES EM VIDEODANÇA: A INFLUÊNCIA DO AUDIOVISUAL NA VISUALIDADE DA DANÇA |
title |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
spellingShingle |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE Lopes Guedes, Anibal Videodança Dança Audiovisual Videodance Dance Audiovisual |
title_short |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
title_full |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
title_fullStr |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
title_full_unstemmed |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
title_sort |
VIDEODANCE EXPERIMENTS: THE INFLUENCE OF THE AUDIOVISUAL ON THE VISUALITY OF DANCE |
author |
Lopes Guedes, Anibal |
author_facet |
Lopes Guedes, Anibal Franciosi Scariot, Fernando Gonçalves Dias, Alexandra |
author_role |
author |
author2 |
Franciosi Scariot, Fernando Gonçalves Dias, Alexandra |
author2_role |
author author |
dc.contributor.author.fl_str_mv |
Lopes Guedes, Anibal Franciosi Scariot, Fernando Gonçalves Dias, Alexandra |
dc.subject.por.fl_str_mv |
Videodança Dança Audiovisual Videodance Dance Audiovisual |
topic |
Videodança Dança Audiovisual Videodance Dance Audiovisual |
description |
The paper aims to develop experiments in videodance. Videodance is constituted from a field of intersection between dance and audiovisual. Thus, the study aims to conceive, create and produce three videodances from the same choreography, having Spanghero (2003) as main reference. The research is exploratory in nature and involves a research in art, as the videodances were produced by the researchers and informs our discussion. As results we can point out: the audiovisual influences the visuality of the dance; the creation processes of the choreographer and of the filmmaker are different; the audiovisual resources provide new perspectives on the visuality of dance. |
publishDate |
2022 |
dc.date.none.fl_str_mv |
2022-08-29 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/1052 10.19179/rdf.v50i50.1052 |
url |
https://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/1052 |
identifier_str_mv |
10.19179/rdf.v50i50.1052 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://seer.fundarte.rs.gov.br/index.php/RevistadaFundarte/article/view/1052/1231 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2022 Anibal Guedes, Fernando Franciosi, Alexandra Gonçalves Dias https://creativecommons.org/licenses/by-nc-nd/4.0 info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2022 Anibal Guedes, Fernando Franciosi, Alexandra Gonçalves Dias https://creativecommons.org/licenses/by-nc-nd/4.0 |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Editora da FUNDARTE |
publisher.none.fl_str_mv |
Editora da FUNDARTE |
dc.source.none.fl_str_mv |
Revista da FUNDARTE; v. 50 n. 50 (22): Trajetórias em Arte: Possibilidades para Performar e Educar na Contemporaneidade 2319-0868 1519-6569 10.19179/rdf.v50i50 reponame:Revista da Fundarte (Online) instname:Fundação Municipal de Artes de Montenegro (FUNDARTE) instacron:FUNDARTE |
instname_str |
Fundação Municipal de Artes de Montenegro (FUNDARTE) |
instacron_str |
FUNDARTE |
institution |
FUNDARTE |
reponame_str |
Revista da Fundarte (Online) |
collection |
Revista da Fundarte (Online) |
repository.name.fl_str_mv |
Revista da Fundarte (Online) - Fundação Municipal de Artes de Montenegro (FUNDARTE) |
repository.mail.fl_str_mv |
julia@fundarte.rs.gov.br |
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1836745431859593216 |