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They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”

Bibliographic Details
Main Author: Gutmann, Juliana Freire
Publication Date: 2009
Other Authors: Santos, Thiago Emanoel Ferreira dos, Gomes, Itania Maria Mota
Format: Article
Language: por
Source: E-Compós
Download full: https://www.e-compos.org.br/e-compos/article/view/331
Summary: In this article, we analyze the articulation between journalism and entertainment in the television program Custe o que Custar, a creation of the Eyeworks-Cuatro Cabezas, that was launched in Brazil in March of 2008 by the Bandeirantes Net. From the application of the Methodology of the Group of Research in TV News´ Analysis, we identify that the CQC´s mode of address appeals, at the same time, to journalism and to entertainment and invites the viewers to share the articulation between the two instances, without damage or deformation of none of them. We believe that CQC unites journalism and mood without losing sight of premises and values that constitute journalism as a social institution - despite the fact that these premises and values are reconfigured. We find, in the CQC, the construction of the journalistic credibility; the resource to the notions of evenness, objectivity, actuality, public interest and social responsibility; the affirmation of the independence of the political field and a very interesting way to deal with the economic field.
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spelling They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”Ellos están sueltos, pero estamos corriendo detrás. Periodismo y entretenimiento em “Custe o que Custar”Eles estão à solta, mas nós estamos correndo atrás. Jornalismo e entretenimento no Custe o que CustarjornalismoentretenimentoinfotainmentCQC.In this article, we analyze the articulation between journalism and entertainment in the television program Custe o que Custar, a creation of the Eyeworks-Cuatro Cabezas, that was launched in Brazil in March of 2008 by the Bandeirantes Net. From the application of the Methodology of the Group of Research in TV News´ Analysis, we identify that the CQC´s mode of address appeals, at the same time, to journalism and to entertainment and invites the viewers to share the articulation between the two instances, without damage or deformation of none of them. We believe that CQC unites journalism and mood without losing sight of premises and values that constitute journalism as a social institution - despite the fact that these premises and values are reconfigured. We find, in the CQC, the construction of the journalistic credibility; the resource to the notions of evenness, objectivity, actuality, public interest and social responsibility; the affirmation of the independence of the political field and a very interesting way to deal with the economic field.En este artículo, analizamos la articulación entre periodismo y entretenimiento en el programa Custe o que Custar, una creación de la Eyeworks-Cuatro Cabezas, que estrenó en Brasil en el mes de marzo de 2008, por la Rede Bandeirantes. A partir de la aplicación de la Metodología de Análisis de Teleperiodismo del Grupo de Investigación en Análisis de Teleperiodismo, identificamos que el modo de dirigirse de CQC remite, al mismo tiempo, al periodismo y al entretenimiento e invita a los teleespectadores a comparar la articulación entre las dos instancias, sin prejuicio o deformación de ninguna de ellas. Creemos que CQC consigue alinear el periodismo al humor sin perder de vista premisas y valores que constituyen el periodismo como institución social –a pesar que estas premisas y valores sean reconfiguradas. Encontramos, en CQC, la construcción de la credibilidad periodística; el recurso de las nociones de imparcialidad, objetividad, actualidad, interés público y responsabilidad social; la afirmación de la independencia del campo político y un modo muy interesante de lidiar con el campo económico.Neste artigo, analisamos a articulação entre jornalismo e entretenimento no programa Custe o que Custar, uma criação da Eyeworks-Cuatro Cabezas, que estreou no Brasil no mês de março de 2008, pela Rede Bandeirantes. A partir da aplicação da Metodologia de Análise de Telejornalismo do Grupo de Pesquisa em Análise de Telejornalismo, identificamos que o modo de endereçamento do CQC remete, ao mesmo tempo, ao jornalismo e ao entretenimento e convida os telespectadores a compartilharem da articulação entre as duas instâncias, sem prejuízo ou deformação de nenhuma delas. Acreditamos que o CQC consegue aliar jornalismo a humor sem perder de vista premissas e valores que constituem o jornalismo como instituição social - ainda que essas premissas e valores sejam reconfigurados. Encontramos, no CQC, a construção da credibilidade jornalística; o recurso às noções de imparcialidade, objetividade, atualidade, interesse público e responsabilidade social; a afirmação da independência do campo político e um modo muito interessante de lidar com o campo econômico.ABEC2009-01-26info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/33110.30962/ec.331E-Compós; Vol. 11 No. 2 (2008)E-Compós; Vol. 11 Núm. 2 (2008)E-Compós; v. 11 n. 2 (2008)1808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/331/286Gutmann, Juliana FreireSantos, Thiago Emanoel Ferreira dosGomes, Itania Maria Motainfo:eu-repo/semantics/openAccess2019-07-24T05:29:31Zoai:ojs.www.e-compos.org.br:article/331Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2019-07-24T05:29:31E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse
dc.title.none.fl_str_mv They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
Ellos están sueltos, pero estamos corriendo detrás. Periodismo y entretenimiento em “Custe o que Custar”
Eles estão à solta, mas nós estamos correndo atrás. Jornalismo e entretenimento no Custe o que Custar
title They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
spellingShingle They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
Gutmann, Juliana Freire
jornalismo
entretenimento
infotainment
CQC.
title_short They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
title_full They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
title_fullStr They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
title_full_unstemmed They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
title_sort They are free, but we are after them. Journalism and entertainment in “Custe o que Custar”
author Gutmann, Juliana Freire
author_facet Gutmann, Juliana Freire
Santos, Thiago Emanoel Ferreira dos
Gomes, Itania Maria Mota
author_role author
author2 Santos, Thiago Emanoel Ferreira dos
Gomes, Itania Maria Mota
author2_role author
author
dc.contributor.author.fl_str_mv Gutmann, Juliana Freire
Santos, Thiago Emanoel Ferreira dos
Gomes, Itania Maria Mota
dc.subject.por.fl_str_mv jornalismo
entretenimento
infotainment
CQC.
topic jornalismo
entretenimento
infotainment
CQC.
description In this article, we analyze the articulation between journalism and entertainment in the television program Custe o que Custar, a creation of the Eyeworks-Cuatro Cabezas, that was launched in Brazil in March of 2008 by the Bandeirantes Net. From the application of the Methodology of the Group of Research in TV News´ Analysis, we identify that the CQC´s mode of address appeals, at the same time, to journalism and to entertainment and invites the viewers to share the articulation between the two instances, without damage or deformation of none of them. We believe that CQC unites journalism and mood without losing sight of premises and values that constitute journalism as a social institution - despite the fact that these premises and values are reconfigured. We find, in the CQC, the construction of the journalistic credibility; the resource to the notions of evenness, objectivity, actuality, public interest and social responsibility; the affirmation of the independence of the political field and a very interesting way to deal with the economic field.
publishDate 2009
dc.date.none.fl_str_mv 2009-01-26
dc.type.driver.fl_str_mv info:eu-repo/semantics/article
info:eu-repo/semantics/publishedVersion
format article
status_str publishedVersion
dc.identifier.uri.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/331
10.30962/ec.331
url https://www.e-compos.org.br/e-compos/article/view/331
identifier_str_mv 10.30962/ec.331
dc.language.iso.fl_str_mv por
language por
dc.relation.none.fl_str_mv https://www.e-compos.org.br/e-compos/article/view/331/286
dc.rights.driver.fl_str_mv info:eu-repo/semantics/openAccess
eu_rights_str_mv openAccess
dc.format.none.fl_str_mv application/pdf
dc.publisher.none.fl_str_mv ABEC
publisher.none.fl_str_mv ABEC
dc.source.none.fl_str_mv E-Compós; Vol. 11 No. 2 (2008)
E-Compós; Vol. 11 Núm. 2 (2008)
E-Compós; v. 11 n. 2 (2008)
1808-2599
reponame:E-Compós
instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação
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instname_str Associação Nacional dos Programas de Pós-Graduação em Comunicação
instacron_str ANPPC
institution ANPPC
reponame_str E-Compós
collection E-Compós
repository.name.fl_str_mv E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação
repository.mail.fl_str_mv revistaecompos@gmail.com
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