Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão
| Main Author: | |
|---|---|
| Publication Date: | 2021 |
| Other Authors: | |
| Format: | Article |
| Language: | por |
| Source: | E-Compós |
| Download full: | https://www.e-compos.org.br/e-compos/article/view/2375 |
Summary: | Within the scope of TV studies, it discusses relations between gender and brand performances. It problematizes constructions of femininities that respond to the communication strategies of the GNT channel based on the notion of performance as a theoretical-methodological category for analyzing how and with which bodies it constitutes figurations of itself. It contemplates the historical formation of the channel and it analyzes a corpus made up of six products – broadcast on the program, on the website, on YouTube and Facebook - referring to the International Women's Day, in 2017, when approximations with a sense of diversity are evidenced. Results indicate ambiguities in how the channel has been seen, since then, in these ambiences. |
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Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensãoJuntas y mezcladas en GNT? Performances de feminidades bajo tensión: Performances de feminilidades sob tensãoJuntas e misturadas no GNT? Performances de feminilidades sob tensãoFeminilidadesPerformanceAudiovisualGNTFeminidadesPerformanceAudiovisualGNTFemininitiesPerformanceAudiovisualGNTWithin the scope of TV studies, it discusses relations between gender and brand performances. It problematizes constructions of femininities that respond to the communication strategies of the GNT channel based on the notion of performance as a theoretical-methodological category for analyzing how and with which bodies it constitutes figurations of itself. It contemplates the historical formation of the channel and it analyzes a corpus made up of six products – broadcast on the program, on the website, on YouTube and Facebook - referring to the International Women's Day, in 2017, when approximations with a sense of diversity are evidenced. Results indicate ambiguities in how the channel has been seen, since then, in these ambiences.En el ámbito de los estudios de televisión, se analizan las relaciones entre género y actuaciones de marca. El artículo discute construcciones de feminidades que responden a las estrategias comunicacionales de GNT basadas en la noción de performance como categoría teórico-metodológica para el análisis de cómo y con qué cuerpos constituye figuraciones de sí misma. Contempla la formación histórica del canal y analiza un corpus conformado por seis productos -transmitidos en el programa, en el sitio web, en YouTube y Facebook- en referencia al Día Internacional de la Mujer, en 2017, cuando aproximaciones con sentido de diversidad. se evidencian. Los resultados indican ambigüedades en cómo se ha visto el canal, desde entonces, en estos ámbitos.No âmbito dos estudos de TV, discute-se relações entre performances de gênero e de marca. O artigo problematiza construções de feminilidades que respondem por estratégias comunicacionais do GNT tendo a noção de performance como categoria teórico- metodológica para análise de como e com quais corpos o canal constitui figurações de si. Contempla sua formação histórica e analisa um corpus formado por seis produtos - veiculados na programação, no site, no YouTube e Facebook - referentes ao Dia Internacional da Mulher, em 2017, quando são evidenciadas aproximações com o sentido de diversidade. Resultados indicam ambiguidades em como o canal se faz ver, desde então, nessas ambiências. ABEC2021-12-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://www.e-compos.org.br/e-compos/article/view/237510.30962/ec.2375E-Compós; Vol. 24 (2021): E-compós 2021E-Compós; Vol. 24 (2021): E-compós 2021E-Compós; v. 24 (2021): E-compós 20211808-2599reponame:E-Compósinstname:Associação Nacional dos Programas de Pós-Graduação em Comunicaçãoinstacron:ANPPCporhttps://www.e-compos.org.br/e-compos/article/view/2375/2041Copyright (c) 2021 Juliana Freire Gutmann, Tess Chamuscahttps://creativecommons.org/licenses/by-nd/4.0info:eu-repo/semantics/openAccessGutmann, Juliana FreireChamusca, Tess2023-11-06T18:46:10Zoai:ojs.www.e-compos.org.br:article/2375Revistahttps://www.e-compos.org.br/e-compos/PUBhttps://www.e-compos.org.br/e-compos/oairevistaecompos@gmail.com1808-25991808-2599opendoar:2023-11-06T18:46:10E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicaçãofalse |
| dc.title.none.fl_str_mv |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão Juntas y mezcladas en GNT? Performances de feminidades bajo tensión: Performances de feminilidades sob tensão Juntas e misturadas no GNT? Performances de feminilidades sob tensão |
| title |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| spellingShingle |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão Gutmann, Juliana Freire Feminilidades Performance Audiovisual GNT Feminidades Performance Audiovisual GNT Femininities Performance Audiovisual GNT |
| title_short |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| title_full |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| title_fullStr |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| title_full_unstemmed |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| title_sort |
Are we blended on GNT? Performances of femininities under tension: Performances de feminilidades sob tensão |
| author |
Gutmann, Juliana Freire |
| author_facet |
Gutmann, Juliana Freire Chamusca, Tess |
| author_role |
author |
| author2 |
Chamusca, Tess |
| author2_role |
author |
| dc.contributor.author.fl_str_mv |
Gutmann, Juliana Freire Chamusca, Tess |
| dc.subject.por.fl_str_mv |
Feminilidades Performance Audiovisual GNT Feminidades Performance Audiovisual GNT Femininities Performance Audiovisual GNT |
| topic |
Feminilidades Performance Audiovisual GNT Feminidades Performance Audiovisual GNT Femininities Performance Audiovisual GNT |
| description |
Within the scope of TV studies, it discusses relations between gender and brand performances. It problematizes constructions of femininities that respond to the communication strategies of the GNT channel based on the notion of performance as a theoretical-methodological category for analyzing how and with which bodies it constitutes figurations of itself. It contemplates the historical formation of the channel and it analyzes a corpus made up of six products – broadcast on the program, on the website, on YouTube and Facebook - referring to the International Women's Day, in 2017, when approximations with a sense of diversity are evidenced. Results indicate ambiguities in how the channel has been seen, since then, in these ambiences. |
| publishDate |
2021 |
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2021-12-01 |
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info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
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article |
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publishedVersion |
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https://www.e-compos.org.br/e-compos/article/view/2375 10.30962/ec.2375 |
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https://www.e-compos.org.br/e-compos/article/view/2375 |
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10.30962/ec.2375 |
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por |
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por |
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https://www.e-compos.org.br/e-compos/article/view/2375/2041 |
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Copyright (c) 2021 Juliana Freire Gutmann, Tess Chamusca https://creativecommons.org/licenses/by-nd/4.0 info:eu-repo/semantics/openAccess |
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Copyright (c) 2021 Juliana Freire Gutmann, Tess Chamusca https://creativecommons.org/licenses/by-nd/4.0 |
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openAccess |
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application/pdf |
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ABEC |
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ABEC |
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E-Compós; Vol. 24 (2021): E-compós 2021 E-Compós; Vol. 24 (2021): E-compós 2021 E-Compós; v. 24 (2021): E-compós 2021 1808-2599 reponame:E-Compós instname:Associação Nacional dos Programas de Pós-Graduação em Comunicação instacron:ANPPC |
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Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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ANPPC |
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E-Compós - Associação Nacional dos Programas de Pós-Graduação em Comunicação |
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revistaecompos@gmail.com |
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