Roles of Japanese scripts in Western fashion: Fusion and New Orientalism
Main Author: | |
---|---|
Publication Date: | 2023 |
Format: | Article |
Language: | eng |
Source: | Revista dObra[s] |
Download full: | https://dobras.emnuvens.com.br/dobras/article/view/1597 |
Summary: | This paper examines the use of Japanese scripts on fashion items. The use of English on fashion items (e.g. t-shirts) has been observed across the globe and examined in the field of sociolinguistics. In recent years, fashion brands such as Gucci, Coach, Adidas, and Nike have printed Japanese scripts on their clothes alongside their original brand names. A UK fashion brand, Superdry, employ Japanese in their brand name and logos. However, the use of languages other than English has not yet been analysed in the fields of sociolinguistics or fashion. The adoption of different cultural norms is often discussed as a form of cultural appropriation. This paper challenges that view by comparing the use of English and Japanese as well as by discussing possible explanations and the roles of Japanese scripts in fashion. It emerges that Japanese scripts are used due to the symbolic, cultural, and linguistic capital that they hold, as well as with a view to enabling brands to express uniqueness. The paper argues that printing Japanese scripts on fashion items is not a simple representation of Japonisme, but rather a form of cultural and linguistic appreciation. It also asserts that the New Orientalism that has been observed in the adaptation of Japanese scripts to fashion has no connotation of otherness. Instead, it represents an active acceptance of the East and the generation of new cultures. Transcultural flows are observed in the field of fashion in the era of globalisation. This paper presents a new perspective on studies on Orientalism and the use of languages and scripts. |
id |
ABEPEM-2_fe8b29e2c72717d49d6afb54f9df8ce2 |
---|---|
oai_identifier_str |
oai:ojs.dobras.emnuvens.com.br:article/1597 |
network_acronym_str |
ABEPEM-2 |
network_name_str |
Revista dObra[s] |
repository_id_str |
|
spelling |
Roles of Japanese scripts in Western fashion: Fusion and New OrientalismOs papéis de escritos em japonês na moda ocidental: fusão e Novo OrientalismoJapanese scriptsNew OrientalismCultural appreciationJaponismeEscritas em japonêsNovo OrientalismoApreciação culturalJaponismoThis paper examines the use of Japanese scripts on fashion items. The use of English on fashion items (e.g. t-shirts) has been observed across the globe and examined in the field of sociolinguistics. In recent years, fashion brands such as Gucci, Coach, Adidas, and Nike have printed Japanese scripts on their clothes alongside their original brand names. A UK fashion brand, Superdry, employ Japanese in their brand name and logos. However, the use of languages other than English has not yet been analysed in the fields of sociolinguistics or fashion. The adoption of different cultural norms is often discussed as a form of cultural appropriation. This paper challenges that view by comparing the use of English and Japanese as well as by discussing possible explanations and the roles of Japanese scripts in fashion. It emerges that Japanese scripts are used due to the symbolic, cultural, and linguistic capital that they hold, as well as with a view to enabling brands to express uniqueness. The paper argues that printing Japanese scripts on fashion items is not a simple representation of Japonisme, but rather a form of cultural and linguistic appreciation. It also asserts that the New Orientalism that has been observed in the adaptation of Japanese scripts to fashion has no connotation of otherness. Instead, it represents an active acceptance of the East and the generation of new cultures. Transcultural flows are observed in the field of fashion in the era of globalisation. This paper presents a new perspective on studies on Orientalism and the use of languages and scripts.O presente artigo examina o uso de escritos em japonês em itens de moda. O uso do inglês em itens de moda, tais como camisetas, tem sido observado ao redor do globo e examinado pelo campo da sociolinguística. Em anos recentes, marcas como Gucci, Coach, Adidas e Nike vêm estampando escritas em japonês em suas roupas junto com seus nomes originais. Uma marca de moda britânica, Superdry, até mesmo usa o japonês no seu nome de marca e em seus logos. Contudo, o uso de outras línguas além do inglês ainda não foi analisado nem no campo da sociolinguística nem no da moda. A adoção de normas culturais diferentes é por vezes discutida como uma forma de apropriação cultural. Esse artigo desafia essa visão ao comparar o uso do inglês e do japonês assim como ao discutir possíveis explicações para isso junto aos papéis das escritas em japonês na moda. Parece que que os escritos em japonês são usados por causa do capital simbólico, cultural e linguístico que detém assim como uma visão de permitir as marcas expressarem singularidade. Argumentamos que estampar escritas em japonês em itens de moda não é apenas uma simples representação de japonismo, mas uma forma de apreciação cultural e linguística. Também afirmamos que o Novo Orientalismo que tem sido observado na adaptação dessas escritas para a moda não tem uma conotação de alteridade ou diferença. Ao invés disso, ele representa uma aceitação ativa do Oriente como gerador de novas culturas. Fluxos transculturais são observados no campo da moda na era da globalização. Esse artigo apresenta uma nova perspectiva nos estudos sobre o Orientalismo e os usos das línguas e escritas.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2023-08-01info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/159710.26563/dobras.i38.1597dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 38 (2023); 61-812358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMenghttps://dobras.emnuvens.com.br/dobras/article/view/1597/805Copyright (c) 2023 Takako Kawabatahttps://creativecommons.org/licenses/by-nc-sa/4.0/info:eu-repo/semantics/openAccessKawabata, Takako2023-11-20T20:20:37Zoai:ojs.dobras.emnuvens.com.br:article/1597Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2023-11-20T20:20:37Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)false |
dc.title.none.fl_str_mv |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism Os papéis de escritos em japonês na moda ocidental: fusão e Novo Orientalismo |
title |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
spellingShingle |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism Kawabata, Takako Japanese scripts New Orientalism Cultural appreciation Japonisme Escritas em japonês Novo Orientalismo Apreciação cultural Japonismo |
title_short |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
title_full |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
title_fullStr |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
title_full_unstemmed |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
title_sort |
Roles of Japanese scripts in Western fashion: Fusion and New Orientalism |
author |
Kawabata, Takako |
author_facet |
Kawabata, Takako |
author_role |
author |
dc.contributor.author.fl_str_mv |
Kawabata, Takako |
dc.subject.por.fl_str_mv |
Japanese scripts New Orientalism Cultural appreciation Japonisme Escritas em japonês Novo Orientalismo Apreciação cultural Japonismo |
topic |
Japanese scripts New Orientalism Cultural appreciation Japonisme Escritas em japonês Novo Orientalismo Apreciação cultural Japonismo |
description |
This paper examines the use of Japanese scripts on fashion items. The use of English on fashion items (e.g. t-shirts) has been observed across the globe and examined in the field of sociolinguistics. In recent years, fashion brands such as Gucci, Coach, Adidas, and Nike have printed Japanese scripts on their clothes alongside their original brand names. A UK fashion brand, Superdry, employ Japanese in their brand name and logos. However, the use of languages other than English has not yet been analysed in the fields of sociolinguistics or fashion. The adoption of different cultural norms is often discussed as a form of cultural appropriation. This paper challenges that view by comparing the use of English and Japanese as well as by discussing possible explanations and the roles of Japanese scripts in fashion. It emerges that Japanese scripts are used due to the symbolic, cultural, and linguistic capital that they hold, as well as with a view to enabling brands to express uniqueness. The paper argues that printing Japanese scripts on fashion items is not a simple representation of Japonisme, but rather a form of cultural and linguistic appreciation. It also asserts that the New Orientalism that has been observed in the adaptation of Japanese scripts to fashion has no connotation of otherness. Instead, it represents an active acceptance of the East and the generation of new cultures. Transcultural flows are observed in the field of fashion in the era of globalisation. This paper presents a new perspective on studies on Orientalism and the use of languages and scripts. |
publishDate |
2023 |
dc.date.none.fl_str_mv |
2023-08-01 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1597 10.26563/dobras.i38.1597 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/1597 |
identifier_str_mv |
10.26563/dobras.i38.1597 |
dc.language.iso.fl_str_mv |
eng |
language |
eng |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/1597/805 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2023 Takako Kawabata https://creativecommons.org/licenses/by-nc-sa/4.0/ info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2023 Takako Kawabata https://creativecommons.org/licenses/by-nc-sa/4.0/ |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; n. 38 (2023); 61-81 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
_version_ |
1831923852013207552 |