It is not enough to show, it has to sell: (dis)agreements between fashion and market
Main Author: | |
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Publication Date: | 2008 |
Format: | Article |
Language: | por |
Source: | Revista dObra[s] |
Download full: | https://dobras.emnuvens.com.br/dobras/article/view/383 |
Summary: | The essence of consumption has been translated into fashion since it was created in Renascence until modern times in the XIX and XX Centuries and early in the XXI Century. In fashion world, creativity attains a merchandizing feature both in symbolic-aesthetic and economical-financial dimension and it could not exist without an equation that counterbalances the freedom of creativeness possessed by the high fashion and prêt-à-porter stylists – the arbitrators for concepts/tendencies “suggestions” to the society. This suggestion, in turn, impels the fashion creators to fit themselves to their target. How far could a fashion tendency survive regardless themarket rules? This article outlines some insights about this issue. |
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It is not enough to show, it has to sell: (dis)agreements between fashion and marketNão basta desfilar, tem que vender: (des)encontros entre moda e mercadofashiontendencycreationmarketconsumption .modatendênciacriaçãomercadoconsumo.The essence of consumption has been translated into fashion since it was created in Renascence until modern times in the XIX and XX Centuries and early in the XXI Century. In fashion world, creativity attains a merchandizing feature both in symbolic-aesthetic and economical-financial dimension and it could not exist without an equation that counterbalances the freedom of creativeness possessed by the high fashion and prêt-à-porter stylists – the arbitrators for concepts/tendencies “suggestions” to the society. This suggestion, in turn, impels the fashion creators to fit themselves to their target. How far could a fashion tendency survive regardless themarket rules? This article outlines some insights about this issue.A moda registra, desde suas origens no Renascimento até a modernidade nos séculos XIX, XX e neste início do XXI, a essência do consumo. A criatividade adquire caráter mercadológico no mundo da moda, seja na esfera simbólico-estética, seja na econômico-financeira, e ela não existe sem uma equação que contrabalanceie a liberdade do ato criativo dos estilistas de alta-costura e do prêt-à-porter – árbitros da “sugestão” de conceitos/tendências à sociedade. Esta, conseqüentemente, força os criadores de moda a se adequarem ao seu público-alvo. Até que ponto uma tendência de moda pode sobreviver independente das regras mercadológicas? Este artigo traça algumas reflexões acerca desse questionamento.Associação Brasileira de Estudos e Pesquisas em Moda - Abepem2008-02-14info:eu-repo/semantics/articleinfo:eu-repo/semantics/publishedVersionapplication/pdfhttps://dobras.emnuvens.com.br/dobras/article/view/38310.26563/dobras.v2i2.383dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 2 n. 2 (2008); 80-892358-00031982-0313reponame:Revista dObra[s]instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)instacron:ABEPEMporhttps://dobras.emnuvens.com.br/dobras/article/view/383/380Copyright (c) 2020 Tarcisio D’Almeidainfo:eu-repo/semantics/openAccessD’Almeida, Tarcisio2024-05-05T22:04:54Zoai:ojs.dobras.emnuvens.com.br:article/383Revistahttps://dobras.emnuvens.com.br/dobras/indexONGhttps://dobras.emnuvens.com.br/dobras/oaidobras.abepem@gmail.com2358-00031982-0313opendoar:2024-05-05T22:04:54Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem)false |
dc.title.none.fl_str_mv |
It is not enough to show, it has to sell: (dis)agreements between fashion and market Não basta desfilar, tem que vender: (des)encontros entre moda e mercado |
title |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
spellingShingle |
It is not enough to show, it has to sell: (dis)agreements between fashion and market D’Almeida, Tarcisio fashion tendency creation market consumption . moda tendência criação mercado consumo. |
title_short |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
title_full |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
title_fullStr |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
title_full_unstemmed |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
title_sort |
It is not enough to show, it has to sell: (dis)agreements between fashion and market |
author |
D’Almeida, Tarcisio |
author_facet |
D’Almeida, Tarcisio |
author_role |
author |
dc.contributor.author.fl_str_mv |
D’Almeida, Tarcisio |
dc.subject.por.fl_str_mv |
fashion tendency creation market consumption . moda tendência criação mercado consumo. |
topic |
fashion tendency creation market consumption . moda tendência criação mercado consumo. |
description |
The essence of consumption has been translated into fashion since it was created in Renascence until modern times in the XIX and XX Centuries and early in the XXI Century. In fashion world, creativity attains a merchandizing feature both in symbolic-aesthetic and economical-financial dimension and it could not exist without an equation that counterbalances the freedom of creativeness possessed by the high fashion and prêt-à-porter stylists – the arbitrators for concepts/tendencies “suggestions” to the society. This suggestion, in turn, impels the fashion creators to fit themselves to their target. How far could a fashion tendency survive regardless themarket rules? This article outlines some insights about this issue. |
publishDate |
2008 |
dc.date.none.fl_str_mv |
2008-02-14 |
dc.type.driver.fl_str_mv |
info:eu-repo/semantics/article info:eu-repo/semantics/publishedVersion |
format |
article |
status_str |
publishedVersion |
dc.identifier.uri.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/383 10.26563/dobras.v2i2.383 |
url |
https://dobras.emnuvens.com.br/dobras/article/view/383 |
identifier_str_mv |
10.26563/dobras.v2i2.383 |
dc.language.iso.fl_str_mv |
por |
language |
por |
dc.relation.none.fl_str_mv |
https://dobras.emnuvens.com.br/dobras/article/view/383/380 |
dc.rights.driver.fl_str_mv |
Copyright (c) 2020 Tarcisio D’Almeida info:eu-repo/semantics/openAccess |
rights_invalid_str_mv |
Copyright (c) 2020 Tarcisio D’Almeida |
eu_rights_str_mv |
openAccess |
dc.format.none.fl_str_mv |
application/pdf |
dc.publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
publisher.none.fl_str_mv |
Associação Brasileira de Estudos e Pesquisas em Moda - Abepem |
dc.source.none.fl_str_mv |
dObra[s] – revista da Associação Brasileira de Estudos de Pesquisas em Moda; v. 2 n. 2 (2008); 80-89 2358-0003 1982-0313 reponame:Revista dObra[s] instname:Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) instacron:ABEPEM |
instname_str |
Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
instacron_str |
ABEPEM |
institution |
ABEPEM |
reponame_str |
Revista dObra[s] |
collection |
Revista dObra[s] |
repository.name.fl_str_mv |
Revista dObra[s] - Associação Brasileira de Estudos e Pesquisas em Moda (Abepem) |
repository.mail.fl_str_mv |
dobras.abepem@gmail.com |
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1831923850993991680 |