A arte na contemporaneidade: Presenteausente: da experiência de passagem para a existência

• Ano de defesa: 2014
• Autor(a) principal: Duarte, Keller Regina Viotto
• Orientador(a): Rizolli, Marcos
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: arte na contemporaneidade; modo de produção artística; autorreferência; cabine do artista; instalação/ocupação; arte e interdisciplinaridade
• Palavras-chave em Inglês: art in contemporaneity; artistic production way; artist cabin; installation/occupation; art and interdisciplinary thinking
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://dspace.mackenzie.br/handle/10899/24591

The work developed presents the setting and occupation PRESENT/ABSENT, embodied through a photo job made by the artist. Its result is presented in the first part of the work and reveals the fictional and artistic self refered approach the author gave to the process as a narration of the research's paths, which are shown in the second part of the work. In a dialogue between times and spaces, it was necessary to build up environments for that artistic production. They can be hypermedia spaces (virtual space mainly on internet, such as blogs and social nets) as well as regular spaces (real environment such as the one selected, which is a hotel room) here named as the artist cabin. The artist family album is considered the starting point for a gathering and selection of the artist s father pictures, together with some personal objects of his. Those objects make up the data that will be related to other artist images produced in different times and spaces aiming at a new fictional and self-referenced creation. This way the artistic creation is developed building up new materials making use of specific elements of visual languages presented in the compositions through similar and contrastive approaches. From this action it can be identified the passage experience as much as the existence. In this study, both the artist and her father s existences are revealed in a expressive-reflected dimension embodied in an interdisciplinary doctoral these as a contemporary artistic production.