Telenovela & conto: um encontro nos capítulos

• Ano de defesa: 2006
• Autor(a) principal: Araújo, Luís Fernando Ferreira de
• Orientador(a): Almeida, Jane Mary Pereira de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Presbiteriana Mackenzie
• Palavras-chave em Português: telenovela; conto; capítulos; comunicação; imaginação; criatividade
• Palavras-chave em Inglês: soap opera; tale; chapters; communication; imagination; creativity
• Área do conhecimento CNPq: CNPQ::CIENCIAS SOCIAIS APLICADAS::COMUNICACAO
• Link de acesso: http://dspace.mackenzie.br/handle/10899/24883

Over the last three decades, the soap opera became a landmark in the history of television and culture of our country. It was not by unanimity, but the soap opera is so inserted in the context of our way of living that it is impossible not to be seen today as a reference to the art of acting in Brazil. And by both the artistic value of our actors/actresses and the high quality presented in every production, it is recognized worldwide as an authentic Brazilian product, disclosing many of our habits and showing our competence for doing television. Our intention with this work is to demonstrate that the narrative of a soap opera chapter resembles the structure of a tale. The tale and the soap opera have a sealed commitment with the reader: the story s. And the way of telling the story, everyone does it in their own way. The tale has a unity of action and the fascination of telling and catching moments of our lives, while the soap opera is a habit and it frequently helps to ease the routine of the viewer. This world is more and more demanding in efficiency and competition and we hope that this work can motivate other people in their creativity of expressions, transformations and re-creations, valorizing the man who valorizes himself through his work and his creative communication.