Múltiplas faces, múltiplos olhares: Clarice Lispector pelas leituras de mulheres no meio digital

• Ano de defesa: 2024
• Autor(a) principal: Santos, Taíza Tedesco dos
• Orientador(a): Aquino, Ivânia Campigotto
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade de Passo Fundo
• Programa de Pós-Graduação: Programa de Pós-Graduação em Letras
• Departamento: Instituto de Humanidades, Ciências, Educação e Criatividade - IHCEC
• País: Brasil
• Palavras-chave em Português: Redes sociais on-line; Livros - Resenhas; Leitura
• Área do conhecimento CNPq: LINGUISTICA, LETRAS E ARTES::LETRAS
• Link de acesso: http://tede.upf.br:8080/jspui/handle/tede/2662

The theme of this study is the female reception of Clarice Lispector's writings, delimited by the ten reviews produced by women in the last two years (2022 and 2023) on the digital reading platform Skoob. In these aspects, the problematization is configured in the following question: how are the characteristics and elements of Clarice's writing received, commented and reflected upon by women readers on the Skoob platform? The general objective of the research, therefore, is to analyze reviews from women readers regarding Clarice Lispector's work on the Skoob social network, configuring the process of receiving and updating the text. The specific objectives are: to problematize the characteristics of intimate writing and its connection with the biography of the writer Clarice Lispector; highlight the literary aspects commented on by critics of the time; and identify the degree of intimacy that Clarice Lispector's productions establish with women readers who express themselves on the Skoob platform through reviews. To achieve these purposes, right after the introduction, we present the theoretical line of Reception Aesthetics and author-text-reader interaction, based on the thoughts of Hans Robert Jauss (1979, 1994), Wolfgang Iser (1979, 1996, 1999) and Regina Zilberman (1989). Next, we address bibliographic and qualitative research on critical expositions present in renowned works on Lispector's biography and writing, supported by Nádia Gotlib (2013), Claire Varin (2002), Teresa Montero (1999) and Olga Borelli (1981). Afterwards, we discuss the reception and criticism of Clarice's work, especially through Antonio Candido (1970, 1987, 1989), Sérgio Milliet (1980), Álvaro Lins (1963) and Benedito Nunes (1966). Finally, the interpretation of the characteristics of the intimate current and its connection with the writer is placed alongside the reviews written by women, exploring the subjectivity and sensitive reality of Clarice Lispector based on quantitative data from the Skoob platform. To analyze the reviews, we used the SOBEK application, a text miner. We thus understand the general lines of Lispector's strength discussed in the writer's contemporary times and present today through reviews written by women on the social network of readers Skoob, observing that there is a greater connection between female readers and female writers in the construction of reading understanding.