Do micro ao macro: aproximações entre oriente e ocidente em Der Jahreslauf
| Ano de defesa: | 2015 |
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| Autor(a) principal: | |
| Orientador(a): | |
| Banca de defesa: | |
| Tipo de documento: | Dissertação |
| Tipo de acesso: | Acesso aberto |
| Idioma: | por |
| Instituição de defesa: |
Universidade Estadual Paulista (Unesp)
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| Programa de Pós-Graduação: |
Não Informado pela instituição
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| Departamento: |
Não Informado pela instituição
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| País: |
Não Informado pela instituição
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| Palavras-chave em Português: | |
| Link de acesso: | http://hdl.handle.net/11449/128024 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/24-09-2015/000849563.pdf |
Resumo: | This research discusses composer Karlheinz Stockhausen's approach to Japanese musical tradition, as presentified in the work DER JAHRESLAUF(1977), focusing on some of the aspects incorporated to the piece from the Japanese tradition and debating the manner by which they were approached by the German composer. The study presents a synopsis of Stockhausen's productions, both theoretical- and compositionalwise, as well as an overview on gagakumusic. It develops from a metalinguistic basis, to which were added topics on intratextuality and narrative, in order to deal with the process of reading and interpreting aesthetic information. Finally, there follows an analysis of the piece DER JAHRESLAUF, identifying discussed topics and debating their musicological and simbolic implications |