Inter-relações entre Performance e Musicologia Histórica: perspectivas para a interpretação musical

• Ano de defesa: 2015
• Autor(a) principal: Souto, Luciano Hercílio Alves [UNESP]
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Musicologia; Instrumentos de corda; Performance (Arte); Linguística; Sociologia; Performance art
• Link de acesso: http://hdl.handle.net/11449/123954; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/20-05-2015/000830810.pdf

This research seeks to establish interrelations between the sub-areas of performance and historical musicology, with emphasis on the interpretation of Partia SecondaBWV 1004 for solo violin from J.S. Bach transcribed for guitar. The main goal is the assumption of theoretical elements that can found the theoreticalpreparation of this composition for the performance, looking for alternative readings of the idealized romantic models like an universal paradigm of interpretative musicality that serves all styles. Considering the hypothesis according to which the dialog between these two sub-areas provides, in the context of historical musicology, the data to buildthe necessary theoretical foundation for the musical execution of this repertoire, as well as the Performance can filter and select analysis methodologies, editing and execution techniques. We will take as a methodological strategy, the interpretative analysis based on the socio-cultural perspective of music and in the musical text and context relationship, sustained by the contents of Textual Linguistic that work as a link between these sub-areas of knowledge.