Inter-relações entre Performance e Musicologia Histórica: perspectivas para a interpretação musical

Detalhes bibliográficos
Ano de defesa: 2015
Autor(a) principal: Souto, Luciano Hercílio Alves [UNESP]
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Tese
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Estadual Paulista (Unesp)
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://hdl.handle.net/11449/123954
http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/20-05-2015/000830810.pdf
Resumo: This research seeks to establish interrelations between the sub-areas of performance and historical musicology, with emphasis on the interpretation of Partia SecondaBWV 1004 for solo violin from J.S. Bach transcribed for guitar. The main goal is the assumption of theoretical elements that can found the theoreticalpreparation of this composition for the performance, looking for alternative readings of the idealized romantic models like an universal paradigm of interpretative musicality that serves all styles. Considering the hypothesis according to which the dialog between these two sub-areas provides, in the context of historical musicology, the data to buildthe necessary theoretical foundation for the musical execution of this repertoire, as well as the Performance can filter and select analysis methodologies, editing and execution techniques. We will take as a methodological strategy, the interpretative analysis based on the socio-cultural perspective of music and in the musical text and context relationship, sustained by the contents of Textual Linguistic that work as a link between these sub-areas of knowledge.