Con anima: instalações pianísticas : proposta artística na interface artes visuais e interpretação musical

• Ano de defesa: 2015
• Autor(a) principal: Agazzi, Anna Claudia [UNESP]
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Art and music; Musica - Interpretação (Fraseado, dinamica, etc.); Piano - Desempenho; Música - Execução; Arte e música
• Link de acesso: http://hdl.handle.net/11449/154682; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/01-09-2017/000848024.pdf

Beginning with works from the piano repertoire, this work attempts to expand the traditional limits of piano interpretation and discusses conventions related to the performance and dissemination of concert music. It proposes the review of the role of the pianist as interpreter and disseminator of works. It reflects upon the concept of repertoire and its importance in the conception of musical interpretation and establishes parallels with curation in visual arts. Experiences are developed in art installations through the interface of musical interpretation and visual arts. The installations which result from the artistic experiences where initially conceived for the Morumbi Chapel (Capela do Morumbi), situated in São Paulo. The piano works that originate the installations are works by Ottorino Respighi, J.S. Bach, Robert Schumann, Frédéric Chopin, Alexander Scriabin and Maurice Ravel, performed at the piano by Anna Claudia Agazzi. Among the visual references are works of filmmaker Gilberto Rossi, handcrafts of the Tukano peoples and works of Eugène Delacroix