O arquétipo da grande mãe na representação da bruxa em contos fantásticos hispânicos contemporâneos

• Ano de defesa: 2015
• Autor(a) principal: Silveira, Danieli Munique Fontes da [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Literatura fantástica hispano-americana - História e crítica - Séc. XX; Ficção fantástica - História e crítica; Arquétipo (Psicologia); Psicologia junguiana; Feiticeiras; Mulheres na literatura; Fantasy literature, Spanish American
• Link de acesso: http://hdl.handle.net/11449/138421; http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/02-05-2016/000863949.pdf

The figure of the mysterious woman linked to the magic is present in the culture of different peoples, whether as a witch, sorceress or fairy. In this study, we observe the central characters' configuration of the tales Circe and Bruja, of the Argentinian Júlio Cortázar, Los atillos de Brumal and Mi Hermana Elba of the Spanish Cristina Fernández Cubas and La buena compañía and La gata de mi madre, of the Mexican Carlos Fuentes. The narratives that will be analyzed are affiliated to the fantastic genre and, to the study of this genre, we will use as theoretical background the studies about the fantastic of David Roas exposed in Tras los límites de lo real. Una definición de lo fantástico (2011) and texts from many researchers gathered and organized by David Roas in the work Teorías de lo fantástico (2001). We believe that this figure is situated in the archetype that Carl Gustav Jung called the Great Mother, then, for the archetype's study, initially, we will use his work Os arquétipos e o inconsciente coletivo (2000) and A Grande Mãe (1996), of Erich Neumann. Besides establishing this relationship, we intend to demonstrate how the formal elements of narrative that interfere in the construction of the female figure collaborate for the manifestation of the supernatural in the tales in question, manifestation that occurs through the own female character. Estética e pragmática del relato fantástico (2000), of Juan Herrero Cecilia will be an important study for this research project, both for the study of formal elements of the narrative, as for the discussion of fantastic literature. With the analysis of the works, our study proposes to observe how the female figure can be characterized with typical attributes of the imaginary mythical witch. This analysis will be based on the elements used in the configuration of the witch that the own tales use and on the elements that the Western culture has set itself as trademarks of ...