Metáfora urbana: reminiscências do bairro do Ipiranga em registros de gravura

• Ano de defesa: 2014
• Autor(a) principal: Daffré, Selma [UNESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Estadual Paulista (Unesp)
• Palavras-chave em Português: Gravura; Espaço urbano; Memória na arte; Prints
• Link de acesso: http://hdl.handle.net/11449/110340

The present research is motivated by the study of latent issues in current artistic making. It approaches theory and practice towards the perspective of a dialogue among the arts, especially an interdisciplinary study between the languages of the engraved images / printed and urban spaces inside of the creative process in the work of Selma Daffré where artistic languages, the use of techniques and visual poetics intertwine throughout its production, focusing on their visual and tactile materiality, memory traces, the skin of thecity, the parties or the remains of a map. This dialogue, attempts to be a mapping relations from the record of discussions involving artists, works, and critical institutions. The research project intends to seek perspectives that propose a reinterpretation of this environment, in this case the neighborhood of Ipiranga, in São Paulo, making readable the representation systems, which apparently ignore imagistic meanings. The result of the matters, engraved or printed, must be the search for new proposals of relations between the languages of the Engravings and Urban Spaces which can lead to processes as important as the results obtained from them, andso collaborate with the autonomy of the arts, realizing itself completely as language, contemplating like so conversation singular contemporary.