Padronagem visual e cultural japonesa: cerâmica e kimono
Ano de defesa: | 2015 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Estadual Paulista (Unesp)
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Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | http://hdl.handle.net/11449/136788 http://www.athena.biblioteca.unesp.br/exlibris/bd/cathedra/07-03-2016/000859926.pdf |
Resumo: | The objective of this work is to research the traditional patterns used in the Japanese culture and its application on ceramics and kimono. Items studied will be aspects referring to the history of pattern in Japan, the techniques used for the creation of these patterns - from the most traditional to the conteporary decorations, and the reference of the four seasons as a constant theme in these artistic creations. The patterns are an important part of the Japanese lifestyle and until these days it is an indispensable part of its culture, found in different media as in fabric, ceramics, wood, metal, paper or tattoed over skin. In this dissertation will be used two definitions of pattern. One is the visual pattern, referring to the repetition and/or image arrangements, creating rhythm and composition. The second is cultural pattern, when something repeats several times through a timeline, creating a cultural pattern. This way the word pattern used in this dissertation refers to both visual and cultural pattern |