Sobre pontos, retas e planos: o espaço cênico na composição em tempo real em dança contemporânea

• Ano de defesa: 2014
• Autor(a) principal: Nogueira, Emilliano Alves de Freitas
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Artes; Linguística, Letras e Artes; UFU
• Palavras-chave em Português: Espaço cênico; Composição em tempo real; Dança contemporânea; Cenografia; Processos de criação; Artes cênicas; Composição (Arte); Dança; Criação (Literária, artística, etc.); Scenic area; Real-time composition; Contemporary dance; Scenography; Creation processes; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: https://repositorio.ufu.br/handle/123456789/12364; https://doi.org/10.14393/ufu.di.2014.543

This research has started on pondering over the scenic area in contemporary dance real-time composition. The scenic area, while articulating the scene, congregates architectural space, scenic space and bodies-spaces (interpreters) interdependently. This makes this interrelation as a condition for the outcome of choreographic layers produced in the creation process in the real-time composition, which are also necessary as an artistic object. Thus, the research aims at contextualizing and conceptualizing in a interdisciplinary way the research areas (scenic area and real-time composition) using theoretical remarks on research methodology in arts, contemporary dance, architecture, visual arts and scenography. In practice, this research has pondered overan experience, the performance Sobre pontos, retas e planos [About points, lines and planes], created by the Dramaturgia do Corpo- Espaço e Territorialidade research group [Body-space Dramaturgy and Territoriality], which was presented in five different places in the city of Uberlândia