Bio-anti-logias, corpos impossíveis
Ano de defesa: | 2018 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de Uberlândia
Brasil Programa de Pós-graduação em Educação |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | https://repositorio.ufu.br/handle/123456789/21399 http://dx.doi.org/10.14393/ufu.di.2018.514 |
Resumo: | We create a map through images. Images of works of art, of movemente, of performances, of artists capable of opening gaps, of letting bodies gush forth, bodies of a particular nature, almost indomitable, with their forged inhumanities. To look, to feel, to compose with images of bodies in movement, bodies in dance, bodies out of focus, trimmed, reassembled. Bodies in relation: sewing their own ways of operating the world, forging paths of life, tracing their own time, independent of any historical record: bodies almost nonexistent. We want to try creating (im)possibles. It is with these images, of artists who create a singular disorder and with the production of Deleuze & Guattari and Clarice Lispector and Hilda Hilst and Kuniichi Uno and..., that we also decompose our own steps, we reinvent what means to inhabit the world, to inhabit a body, but not only to dwell: to compose, to invent. Compose a body, and invent life. We dare to write from these living imagens. A writing that wants nothing of truth, of history, of criticism or description. We want a wishing-writing: pregnant with other worlds, where other voices are echoing, that is, or that goes through the incomprehensible, that proposes, still, other images. The writing is not the work of art. The writing is power of the image. Writing is power of the work of art. It is also by writing that we live a body, that we let flow the anxieties, the shivers, the wills to create times and spaces. This is what we propose: to forge, through them, image and writing, a body that learns to walk around like a nomad, at least for a moment, a body that moves daring to (un)do matter, space and time. Between art-images that provoke, that potentiate and operate through writing the most intemperate modes of existence. Body-life in motion. |