O teatro na curva do rio: navegando pelas memórias cênicas do Grupo de Teatro Apoteose

• Ano de defesa: 2024
• Autor(a) principal: Batista, Thiago Augusto
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes Cênicas
• Palavras-chave em Português: memória; teatro amador; comédia; dramaturgia; interior; memory; amateur theater; comedy; dramaturgy; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES::TEATRO; Teatro; Teatro (Literatura) - Técnica; Teatro amador; Teatro brasileiro (Comédia); ODS::ODS 4. Educação de qualidade - Assegurar a educação inclusiva, e equitativa e de qualidade, e promover oportunidades de aprendizagem ao longo da vida para todos.
• Link de acesso: https://repositorio.ufu.br/handle/123456789/43799; http://doi.org/10.14393/ufu.di.2024.570

Between comings and goings, over more than fifteen years, the Apoteose Theater Group built a history crossed by dreams, achievements, successes, failures and an uninterrupted interest in the human condition. In their work, they addressed diverse themes, which are part of the contingency surrounding being in this world, taking to the stage comic and tragic narratives inspired by real and imaginary events. This research aims to rescue and analyze the memories of the theatrical group created in 2008, in the city of Itumbiara-GO, based on its references, as an amateur group from the interior of Brazil. In an analytical process, it is necessary to locate and examine records, scripts and other materials that contributed to the group's artistic creations, with the aim of understanding the changes that Apoteose went through. It is also intended to understand the impact of groups that preceded it and how their trajectory contributed to the development of new strategies in the face of old dilemmas. Examining the works of the Apoteose Theater Group, I aim to present the disturbing themes that reverberated in the construction of each narrative. By observing the paths chosen by the group, I want to identify the transformations experienced before, during and after graduating in Theater and the change of territory.