Chico Buarque e José Celso: embates políticos e estéticos na década de 1960 por meio do espetáculo teatral Roda Viva (1968)

• Ano de defesa: 2006
• Autor(a) principal: Carvalho, Jacques Elias de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em História; Ciências Humanas; UFU
• Palavras-chave em Português: História; Espetáculo; Década de 1960; Roda viva; História e teatro - Brasil; Buarque, Chico, 1944 - Roda Viva Crítica e interpretação; Brasil Política e governo, 1960; History; Spectacle; Decade of 1960; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/16357; https://doi.org/10.14393/ufu.di.2006.04

This research aims to analyze the theatrical spectacle, Roda Viva, pondering the controverssial issues related to the one of the most difficult moments of the Brazilian history, the 1960 s. Roda Viva written by Chico Buarque and directed by José Celso Martinez Corrêa, was performed for the first time in 1968, which caused discussion in journals and in other society areas. First of all, it rules about the "theorical-methodological" reflections of the cultural history, trying to understand the nuances between Art and Society. In this way, the spectacle was analyzed as a cultural practice that regiments various points of view, propriating debates in the society. In addition, the defense of conservative values family, ethical and well customs in a recrudescing moment of the military system became evident when the discussions turned around the theatrical scene.