Deleuze para uma arte das forças

• Ano de defesa: 2012
• Autor(a) principal: Araújo, Ana Carolina Gomes
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Filosofia; Ciências Humanas; UFU
• Palavras-chave em Português: Deleuze; Filosofia; Arte; Estética; Deleuze, Gilles, 1925-1995 - Crítica e interpretação; Arte - Filosofia; Estética moderna; Philosophy; Art; Aesthetics; CNPQ::CIENCIAS HUMANAS::FILOSOFIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/15550; https://doi.org/10.14393/ufu.di.2012.308

Searching an understanding about the art´s role on Deleuze´s thinking, this dissertation presents, as a provocative first question, the following inquiry: What is art? This text is organized in parts which echo defiance build upon Deleuze´s vocabulary since this choice is a way of revisiting a central issue that needs to be investigate. First part: comprises the Theory of forces, potency act, eternal return on Nietzsche and Philosophy aiming at Deleuze´s borrowing on the matters of Nietzsche s work. Second part: comprises art as an essence of truth on Proust and Signs, and also the battle against Platonism from the perspective of simulacrum in the context of a Deleuze´s text published in The Logic of Sense. Third part: deals with the dialog around art established in a specific chapter of What is Philosophy? and also the dialogue that discusses the battle against a philosophy of representation from the discussion about image and thinking. The course made on this work is an attempt to find not a precise answer that depletes problematic inquiries about what art could be. Before, and above all, due to an investigative appeal, my prerogatives are the philosopher´s contributions which, by dialoguing with art, provide an understanding about the artistic creation in the lights of a philosophical reflection.