Cena teatral e recepção estética: o olhar dos críticos para os espetáculos Trono de Sangue (1992) e Macbeth (1992)

• Ano de defesa: 2011
• Autor(a) principal: Fernandes, Renan
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em História; Ciências Humanas; UFU
• Palavras-chave em Português: Crítica teatral; História; Shakespeare; Brasil; História e teatro; Teatro brasileiro - Séc. XX - História e crítica; Teatro e sociedade; Teatro - Críticas; Shakespeare, William, 1564-1616 - Trono de sangue; Shakespeare, William, 1564-1616 - Macbeth; Theatre critical; History; Brazil; CNPQ::CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://repositorio.ufu.br/handle/123456789/16396

In Brazil, since 1985 after the end of military dictatorship and the return to democratic freedoms - all segments of society have undergone significant changes, being observed also in artistic doings, especially in theater. If, before the productions turned their eyes mostly for the scenic composition of shows that prioritized issues related to engaging in an action against oppression established, now permeate the reflections by the trade issue, as well as the search for new conceptions of aesthetic languages .Within this perspective, the purpose of this study is the analysis of critical theatrical performances involving Macbeth (Fagundes Artistic Productions, directed by Ulysses Cruz) and Throne of Blood (Macunaíma Group, directed by Antunes Filho), both in 1992. Sought, therefore, raise discussions, within the historical perspective, allowing to understand the issues swathing the reception of the shows and their relationship to the contemporary theatrical scene.