Laboratórios de criação teatral: Mapa para ilhas desconhecidas, micropoéticas relacionais em tempos de tecnovívio

• Ano de defesa: 2023
• Autor(a) principal: Santos, Raphael Bernardo dos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; Brasil; Programa de Pós-graduação em Artes Cênicas
• Palavras-chave em Português: Micro-poética relacional; Micro-relational poetics; Tecnovívio; Experiência cênica-digita; Digital-scenic experience; Participação; Participation; CNPQ::LINGUISTICA, LETRAS E ARTES; Teatro; ODS::ODS 8. Trabalho decente e crescimento econômico - Promover o crescimento econômico sustentado, inclusivo e sustentável, emprego pleno e produtivo, e trabalho decente para todos.
• Link de acesso: https://repositorio.ufu.br/handle/123456789/39902; https://doi.org/10.14393/ufu.di.2023.590

This work consists of a reflection based on the practices of the Laboratory of Relational Creation, a scenic research space that has been conducting experiments on theater dialogues and Relational Aesthetics since May 2019. Relational Aesthetics is identified by the French theorist Nicolas Bourriaud as the principle guiding the construction of artistic works that propose the invention of relationships between subjects (BOURRIAUD, 2009). In this perspective, the audience is invited to directly operate on the event, exerting a performative reception on the work. Methodologically supported by an action research approach and adapting to the possible paths of creation and research experienced in the biennium 2020/2021, we focus specifically on the creation process lived in the context of the COVID-19 pandemic: The digital-scenic experience " Mapas das ilhas desconhecidas". We now rely on the concept of "technovívio" (DUBATTI, 2016), when there is technological mediation on artistic expectation that deterritorializes the encounter between artists and the audience in the same space, to rethink the possibilities of participatory works that call for the performativity of the audience on the scene, launching the perspective of micro-relational poetics through the technovívio.