Para uma cidade habitar um corpo: proposições de uso do espaço urbano e seus acréscimos na formação do artista cênico

• Ano de defesa: 2011
• Autor(a) principal: Freitas, Vanilto Alves de
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de Uberlândia; BR; Programa de Pós-graduação em Artes; Linguística, Letras e Artes; UFU
• Palavras-chave em Português: Ensino-aprendizagem; Princípios técnico corporais; B. Boying; Le parkour; Release tecnique; Artes cênicas Estudo e ensino; Representação teatral; Teaching-learning; Body technical principles; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: https://repositorio.ufu.br/handle/123456789/12288; https://doi.org/10.14393/ufu.di.2011.32

The premise of this paper is that from a teaching-learning process characterized by classes conducted in places among the danger zone (city) and a secure space (classroom), and throughout the socialization of body technical mechanisms from cultural backgrounds marked with a greater friction between body and city, may emerge a scenic artist with a high developed sensitivity related to the interaction with the contemporary city. The format of the class aim for the inclusion of technical and physical principles cataloged through a process of Self-Ethnography of the formative trajectory of the researcher, with emphasis on his experience in the manifestations Street Dance (B.boying), Le Parkour and Release tecnique (Contemporary Dance) and also to the application of short courses in which students were encouraged to experience the spaces of cities which are characterized by a diversity of textures and volumes.