A Fotomontagem De John Heartfield E Tina Modotti: Produções Artísticas Na Imprensa

• Ano de defesa: 2018
• Autor(a) principal: Felden, Adriana [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: John Heartfield; Tina Modotti; Photography; Photo Montage; Press; Fotografia; Fotomontagem; Imprensa
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=6356769; https://repositorio.unifesp.br/handle/11600/52692

The Research Analyzes The Works Of John Heartfield And Tina Modotti Who Used Photography As A Means Of Artistic And Political Expression. He Was German, Dadaist And Lived In Berlin. She Was Italian, Precursor Of Modern Mexican Photography, Who Lived In The American And European Continents. Heartfield Was Part Of The Artistic Historical Vanguards While Modotti Was Influenced By Them. Both Used Photomontage As A Strategy For The Diffusion Of Socialist And Revolutionary Discourse. Inspired By Daily Life, They Produced Critical Works Published In The Press Of The Time. John Heartfield Was Editor Of The Arbeiter Illustrierte Zeitung - Aiz Magazine, In Germany. Tina Modotti Was Editor And Photographer Of Mexican Folkways Magazine And The Newspaper El Machete In Mexico City. Each In Its Own Way Sought To Transform The Reality In Which It Lived Through Conflict And Through Art. Two Artists With Different Life Trajectories And Cultures, But With Similar Ideals, Whose Works Dialogued With Each Other.Various Routes With