Alexander McQueen: da passarela ao museu. Análise do vestido da performance final do desfile No.13 nas exposições Alexander McQueen: Savage Beauty no Metropolitan Museum of Art e Victoria and Albert Museum

• Ano de defesa: 2019
• Autor(a) principal: Im, Tatiana Bo Kun [UNIFESP]
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal de São Paulo (UNIFESP)
• Palavras-chave em Português: Savage Beauty; Alexander McQueen; Expography; Fashion; Museum; Expografia; Moda; Museu
• Link de acesso: https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=8197994; https://repositorio.unifesp.br/handle/11600/59447

The research proposes to analyze the dress of the final performance of the parade No.13 (spring/summer 1999) of the british fashion designer Alexander McQueen in the exhibitions Alexander McQueen: Savage Beauty at the Metropolitan Museum of Art and Victoria and Albert Museum and from there reflect how the expography can interfere in the aesthetic experience of the visitor before the object. For this, we will presents the dress through the parade and later inserted in the core “Cabinet of Curiosities” of the Savage Beauty exhibition in two moments: first in 2011 at the Metropolitan Museum of Art (Nova York) and second in 2015 at Victoria and Albert Museum (London). The catalogs of both exhibitions will be important sources of analysis, because they are records of the event, as well as texts and studies by theorists, fashion scholars and curators who have deepened their research in fashion and topics that cross such as art, museum, exhibitions, expography and others.