Donos, artefatos e outros feitos: arte indígena e processos de patrimonialização
Ano de defesa: | 2020 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal de São Paulo (UNIFESP)
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Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | https://sucupira.capes.gov.br/sucupira/public/consultas/coleta/trabalhoConclusao/viewTrabalhoConclusao.jsf?popup=true&id_trabalho=9706384 https://hdl.handle.net/11600/64693 |
Resumo: | This research approaches experiences of patrimonialization of indigenous manifestations within the scope of the National Historic and Artistic Heritage Institute (Iphan). The first chapter takes Iphan as the trigger for a historical analysis of Cultural Heritage policies and concepts in Brazil. The following chapters focus on two cases of patrimonialization: the Wajãpi verbal and graphic art (Kusiwa), subject of the second chapter, and the Karajá ceramic dolls (Ritxoko), approached in the third and last chapter. In both cases, Indigenous communities, universities, civil and State institutions are involved in a patrimonialization network, in which objects, people and knowledge are in motion, amid processes of mutual translation and transformation. This dissertation takes part in this network, looking for analogies and singularities between the production of knowledge materialized in Indigenous arts and those materialized in the production of dossiers aiming their patrimonialization. |