Educação musical em contextos Montessori: narrativas de professores de música

Detalhes bibliográficos
Ano de defesa: 2024
Autor(a) principal: Mengarda, Beatrís Schmidt Faraco
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Brasil
Educação
UFSM
Programa de Pós-Graduação em Educação
Centro de Educação
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://repositorio.ufsm.br/handle/1/33104
Resumo: This research proposal presents research linked to the Graduate Program in Education, within the Education and Arts research line, and the NarraMus research group at the Federal University of Santa Maria. Its objective is to understand the challenges, dilemmas, and constructions that permeate the work of licensed music teachers within the context of Montessori Education. Additionally, it aimed to explore the professional practice of music teachers in Montessori schools and to understand the functioning of musical moments, concepts, and materials present in music classes within Montessori institutions, with a focus on early childhood education. In this regard, authors such as Beyer (2005), Fernandes (2020), Mateiro and Ilari (2012), Montessori (1965; 1984; 1987), and Pollard (1993) contributed to the discussions of this research. Methodologically, the investigation, of a qualitative nature (Bogdan & Biklen, 1994; Minayo, 2012), consists of narrative interviews (Ravagnoli, 2018; Jovchelovitch & Bauer, 2003; Souza, 2011). Data analysis was conducted based on transcriptions of the teachers' narratives (Josso, 2010). Furthermore, Souza's (2004; 2014) comprehensive-interpretative process, organized into three phases, provides the foundation for reflection. The research results highlight that, despite the challenges faced by music teachers in Montessori schools, their personal and formative trajectories, combined with a constant pursuit of study, updating, and reflection on practice, culminate in approaches that not only favor the development of children but also emphasize the importance of the prepared environment that stimulates autonomy and musical learning.