Quando um professor se faz histórias: o professor Eugênio Schneider e narrativas (auto) biográficas de um legado de ensino de música em Santa Maria - RS

Detalhes bibliográficos
Ano de defesa: 2017
Autor(a) principal: Schneider, Jade da Rosa
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal de Santa Maria
Brasil
Educação
UFSM
Programa de Pós-Graduação em Educação
Centro de Educação
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: http://repositorio.ufsm.br/handle/1/15161
Resumo: This proposal, linked to the research line in Education and Arts-LP4, of the Post-graduate program in education, in Federal University of Santa Maria, aims to understand as the teaching pedagogy of the teacher Eugênio Schneider agreed to a legacy in Santa Maria. Most extensively, it was sought to know the pedagogical and ideological aspects about the teaching of this teacher's music, recording the history of music education in Santa Maria, enabling, thus, the reflection of pedagogic-musical practices of music teachers in the context in that work. To make this possible, it was based on theoretical such as the identity processes of teachers (NÓVOA, 1992, 1995); education and music concepts and music education LOURO e ARÓSTEGUI (2003), in addition to theoretical approximations of the area, which deal with the lives and practices of music teachers. The research of qualitative developed from autobiographical research (NÓVOA; FINGER, 2014; ABRAHÃO, 2004; SOUZA, 2007) and narrative (STAUFFER; BARRETT, 2009; CANDININ, 2006), and was based on thematic oral history methodology (MEIHY, 2005). From the data produced and the reflection on pedagogical practices based on the interfaces of accession, action and self-consciousness, it was possible to understand how the construction of the legacy of Eugênio Schneider, from the correlation between the person and the professional, contributing to the construction of history and music education pedagogical reflections.