Detalhes bibliográficos
| Ano de defesa: |
2016 |
| Autor(a) principal: |
Pereira, Renata de Mello Cerqueira
 |
| Orientador(a): |
Rafael, Ulisses Neves |
| Banca de defesa: |
Não Informado pela instituição |
| Tipo de documento: |
Dissertação
|
| Tipo de acesso: |
Acesso aberto |
| Idioma: |
por |
| Instituição de defesa: |
Universidade Federal de Sergipe
|
| Programa de Pós-Graduação: |
Pós-Graduação em Antropologia
|
| Departamento: |
Não Informado pela instituição
|
| País: |
Brasil
|
| Palavras-chave em Português: |
|
| Palavras-chave em Inglês: |
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| Área do conhecimento CNPq: |
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| Link de acesso: |
https://ri.ufs.br/handle/riufs/3201
|
Resumo: |
The growth of the city of Aracaju, Northeast Brazil, brings questions about the occupation of urban spaces. In the case of this research, the starting point to study the cultural space created after the construction of the bridge linking the capital Aracaju the county of Barra Dos Coqueiros came from the Industrial District. Using an Ethnography done through field research, participant observation, interviews and questionnaires, relevant information was gathered about the “Sintonia Periférica” group, which occupies the space under the bridge in an artistic and political manifestation through the hip-hop movement. This research aimed to observe and analyze the way the young people of this town have been occupying and transforming the space, and the relationships that this artistic intervention in public spaces have with the reurbanization and growth of the city. To perceive the dimension of the relationships and their modes of action, consequent of urban restructuring, demonstrate the various possible ways of new forms of social and structural organization of the city, with relevance to the knowledge not only to social sciences, but also for the Public Administration and the community in general, because actions like these are daily response to the way the city has been ordered and its consequences in everyday life of its residents. |
