Detalhes bibliográficos
Ano de defesa: |
2019 |
Autor(a) principal: |
Souza Junior, Gladson Cardoso de |
Orientador(a): |
Nogueira, Adriana Dantas |
Banca de defesa: |
Não Informado pela instituição |
Tipo de documento: |
Dissertação
|
Tipo de acesso: |
Acesso aberto |
Idioma: |
por |
Instituição de defesa: |
Não Informado pela instituição
|
Programa de Pós-Graduação: |
Pós-Graduação Interdisciplinar em Cinema
|
Departamento: |
Não Informado pela instituição
|
País: |
Não Informado pela instituição
|
Palavras-chave em Português: |
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Palavras-chave em Inglês: |
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Área do conhecimento CNPq: |
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Link de acesso: |
https://ri.ufs.br/jspui/handle/riufs/15048
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Resumo: |
This research sought to study the elaboration process of the contemporary documentary scene. The emphasis of the work was to investigate the theoretical-methodological procedures for the elaboration of mise-en-scène used by contemporary -independent directors in their daily professional life. The greater interest is in the relationship between the subject's camera and the person's character. In this sense, we sought to investigate how the knowledge and methods produced and / or practiced by independent filmmakers are articulated with the know-how of cinema theory, based on the approximation of methodological procedures and practices present in other areas of knowledge production. The attempt to verify the possible approximations and distances belonging to different fields, as well as, to observe in what measure these areas are influenced and / or denied by elaboration of the staging of the documentary was given from the process of realization of the movies “so that the world does not forget” (2019/20) of Pedro Bomba and 144 hours and some minutes stolen (2019/20) of Gladson Galego. |