História e memória social do teatro lagartense : trajetória da Cia Cobras & Lagartos

• Ano de defesa: 2023
• Autor(a) principal: Santos, Ailton Silva dos
• Orientador(a): Santos, Claudefranklin Monteiro
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação em História
• Palavras-chave em Português: História social; Teatro; Lagarto (SE); Memória
• Palavras-chave em Inglês: Memory; Theater
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: https://ri.ufs.br/jspui/handle/riufs/18546

The present work aims to analyze one of the aspects of the plural and multifaceted culture of the city of Lagarto/SE: the theater. Focusing on the memories of members and some spectators referring to their life experiences and the first public presentation of the Cobras & Lagartos Theater Company. The theatrical phenomenon in the city is not something new and was not established by this Company. However, from its foundation, actions and components, it was driven in ways never seen before in the city and generated active and consolidated results in the culture, coming to be characterized as the main representative of the theater in the interior of Sergipe. However, it did not stay just within the city limits, as it expanded to the state and even won a national award, also becoming a Ponto de Cultura financed by the Ministry of Culture of Brazil. The period studied, understood mainly by the sources used, allows the analysis of the conformation and for that we need to know the paths of its conception and how it debuted, presenting itself for the first time publicly. It is a phenomenon of social memory that occurred in 2003. It is not intended to discuss the object of this research in a narrative and procedural way, presenting dates and events in a temporal demarcation with a beginning and an end. The intention is to know, and thus seek to understand, the interconnected elements and stories that, when condensed, culminated in the theater company Cobras & Lagartos. It is, therefore, a research on the social history of theater, built through the analysis of memories, documents and the transcreation of semi-structured interviews based on life history, with Oral History as the main technique for capturing sources, and the fundamentals of Evidence Paradigm, the way to aid the interpretation of some speeches and/or opaque manifestations, as primordial methodologies for the search for characteristics and indications that allow a better understanding of this historical phenomenon.