Samba de coco de Arcoverde-PE : práticas e representações na construção de um patrimônio cultural (1980-2010)

• Ano de defesa: 2018
• Autor(a) principal: Lima, Reginaldo Vilela de
• Orientador(a): Antonio, Edna Maria Matos
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação em História
• Palavras-chave em Português: História; Arcoverde (PE); Cultura popular; Samba de coco (Dança); Memória; Patrimônio cultural; Patrimônio cultural imaterial; Coconut samba; Intangible cultural heritage; Memory
• Área do conhecimento CNPq: CIENCIAS HUMANAS::HISTORIA
• Link de acesso: http://ri.ufs.br/jspui/handle/riufs/8531

The dissertation analyzes and seeks to understand Samba de Coco as an expression of the immaterial cultural heritage of Arcoverde-PE, through its practices and artistic-cultural representations, during the period of 1980-2010. In order to reach this proposal, it was necessary to develop some problematizations in the perspective of how the transformations adopted during the time studied revitalized this cultural manifestation, and how the concepts of tradition, authenticity and originality were renified in the activities, knowledge and cultural practices of following groups; Coco Roots of Arcoverde, Sisters Lopes and Coco Trupé of Arcoverde. This research is inserted in the dimension of Cultural History, in the analytical perspective of microhistory, considering the local historicity as an important reference and the practitioners of Samba de Coco as sources of memories and historical information about the manifestation. The main methodological strategy was the use of Oral History, whose testimonies did not only serve as subsidiary sources to illustrate what some official document may claim. Elements such as music, photographs, festive announcements and documents from the archives of the Municipal Secretary of Culture were analyzed, which deal with the Lula Calixto festival, enshrined in the history of the city for its cultural diversity. The aim was to analyze the character of the cultural festivals of the city and to locate the historical moment in which the concepts related to the culture, exotic and tradition that came to permeate the discourses in defense of the cultural patrimony emerge.