"Uma cidade muda não muda" : mulheres, graffitis e espaços urbanos hostis

• Ano de defesa: 2020
• Autor(a) principal: Barros, Erna
• Orientador(a): Marcon, Frank Nilton
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação em Sociologia
• Palavras-chave em Português: Sociologia; Grafiteiros; Aracaju (SE); Mulheres; Artes e ofícios; Espaços públicos; Gênero; Cidades; Espaços hostis
• Palavras-chave em Inglês: Graffiti; Gender; Cities; Women; Hostile spaces
• Área do conhecimento CNPq: CIENCIAS HUMANAS::SOCIOLOGIA
• Link de acesso: https://ri.ufs.br/jspui/handle/riufs/15106

"A Mute City Doesn’t Change: Women, Graffiti and Hostile Urban Spaces" applies a reading of graffiti while the urban phenomenon in dialogue with a city structure as a space for disputes from a gender perspective. It seeks to contribute to a discussion about the transition of women to the public environment because of graffiti artists that give new meaning to these spaces, supported by the representation of enterprises about a city thought and planned according to an idea of human universality, that is, a hegemonic perspective of sex male over female. Thus, the main objective of Thesis is to identify the spaces hosted in the presence of women in the public space of the city and reflect on the resistance of the graffiti artists to these open spaces through the claim of an agency in the city. For this, a methodology used was the observation of the usual uses and graffiti speeches in Grande Aracaju - SE, through the photographic and filmic record of their limitations in the urban environment, going through different paths next to them, and also only, in order to understand the practice of graffiti as a tool of representation, contestation and female expression. Compare me during these trajectories with an urban structure that meets a masculine planning logic that is not gender sensitive, which imposes on women a transit full of permissions, which it presents in this Thesis through Photographic Boards, arranged in assemblies of the images collected in the field. A research has resulted in the understanding that how graffiti refreshes and transgresses different hostile spaces for women, a guide to feelings of resistance and sorority, through the claim of an aestheticized agency and particular dynamics of dialogue and action in the city.