O circuito da “música brasileira” em Lisboa/PT : consumo, imaginários e estilos de vida

• Ano de defesa: 2018
• Autor(a) principal: Silva, Daniela Moura Bezerra
• Orientador(a): Marcon, Frank Nilton
• Tipo de documento: Tese
• Tipo de acesso: Acesso aberto
• Idioma: por
• Programa de Pós-Graduação: Pós-Graduação em Sociologia
• Palavras-chave em Português: Sociologia; Cultura; Música; Identidade social na arte; Imagem (psicologia); Aspectos culturais; Estilo de vida; Música brasileira; Consumo; Estilos de vida; Imaginários; Identidades
• Palavras-chave em Inglês: Brazilian music; Consumption; Life styles; Imaginary; Identities
• Área do conhecimento CNPq: CIENCIAS HUMANAS::SOCIOLOGIA
• Link de acesso: http://ri.ufs.br/jspui/handle/riufs/8295

The purpose of this thesis is to discuss the relations between consumption and lifestyles through the study of the presence and maintenance of a circuit of “Brazilian music” overseas, more specifically in the city of Lisbon, Portugal. The choice of this city as a research field arises from, among other reasons, the fact that in the touristic circuit of Lisbon, a circuit of “Brazilian music” can be found even as a propaganda of the city. We tried to comprehend who are the ones that sustain the activities linked to this music style and who consumes them. We started out from the idea that the consumption of “Brazilian music” is, in fact, the consumption of symbols and lifestyles connected to the imaginary of Brazil. The methodology used was the field observation in a real universe, which took place in 2014 with an initial visit to Lisbon that had the objective of mapping the circuit and building contact with the owners of the establishments. In 2015, with the actual participation in the spaces with the intention of discerning the logics and dynamics of the circuit. As well as the field observation of the virtual universe, in which we followed in the website and social networks of events propagandas, the interactions with the public and events’ schedules. The results of this research are structured in two parts. The first one, which contemplated the chapters 1 and 2, has the purpose of discussing the theoretical and methodological frameworks of this research. We here present how the globalization process has influenced the patterns of consumption, and the position of culture in the contemporary society, that increasingly being more central in the social relations can be used both as a product and as a mediator. The second part of this thesis, which englobes chapters 3 and 4, intended to analyze the “Brazilian music” circuit in Lisbon: the aestheticisation of this music and its role in the formation and the sustainment of a lifestyle connected to its consumption. We understand that the global culture circulation has interfered on the consumption patterns, now more linked to the images, representations of a product. The identification with these representations, therefore, connects the individuals through the consumption, in a specific framework of symbolical references.