A dialética do amor em pigmaleão, de G. B. Shaw.

• Ano de defesa: 2009
• Autor(a) principal: Silva, Christielen Dias da
• Orientador(a): Erickson, Glenn Walter
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio Grande do Norte
• Programa de Pós-Graduação: Programa de Pós-Graduação em Estudos da Linguagem
• Departamento: Linguística Aplicada; Literatura Comparada
• País: BR
• Palavras-chave em Português: Angústia da influência; Dialética do amor; Metamorfoses; A megera domada Pigmaleão.
• Palavras-chave em Inglês: Anxiety of influence; Dialectic of love; Metamorphoses; The Taming of the Shrew; Pygmalion.
• Área do conhecimento CNPq: CNPQ::LINGUISTICA, LETRAS E ARTES::LINGUISTICA
• Link de acesso: https://repositorio.ufrn.br/jspui/handle/123456789/16169

Pygmalion (1913), by George Bernard Shaw (1856-1950), has many studies in literary criticism. However, this study brings a new interpretation to Shaw s play based on Harold Bloom s theory and methodology, that is, the anxiety of influence and the dialectic of revisionism. Through the analysis of poetic influence and the dialectic of love, we can see that Pygmalion represents an apophrades in relation to William Shakespeare s The Taming of the Shrew (1593) and Ovid s myth of Pygmalion and Galatea in Metamorphosis (c. 14), which creates a family romance between the three stories. Shaw s play surpasses The Taming of the Shrew when it shows the possibility of the relation between this parent poem and Ovid s myth, which it is also its parent poem, and because it represents a strong misreading of Shakespeare s play as well as of Ovid s myth.