Estevão Silva e a pintura de naturezas mortas no Brasil do século XIX

• Ano de defesa: 2002
• Autor(a) principal: Pessôa, Alexandre Neiva
• Tipo de documento: Dissertação
• Tipo de acesso: Acesso aberto
• Idioma: por
• Instituição de defesa: Universidade Federal do Rio de Janeiro; Brasil; Escola de Belas Artes; Programa de Pós-Graduação em Artes Visuais; UFRJ
• Palavras-chave em Português: Natureza morta (Pintura); Pintura brasileira; Séc. XIX; CNPQ::LINGUISTICA, LETRAS E ARTES::ARTES
• Link de acesso: http://hdl.handle.net/11422/5161

Despite the recent historiographic interest in nineteenth-century Brazilian art, still-life painting remains almost an unexplored field. This research intends to displace the lack of studies on the theme by approaching the work of one of the most distinguished still-life painters among us, Estevão Roberto da Silva (1845-1891). Willing to measure his legacy to the National art, we have made up a reference table gathering the production of those preceded him in the specialty. Based on nine Estevão’s paintings analysis, we could find out that he renewed the conventions into ways: from the viewpoint of composition and brushwork.