As múltiplas dimensões na educação do diretor de arte e mídia
Ano de defesa: | 2008 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Tese |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal da Paraíba
BR Educação Programa de Pós Graduação em Educação UFPB |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | https://repositorio.ufpb.br/jspui/handle/tede/4831 |
Resumo: | This work is in the field of art and education for art director, especially the new profile that involves not only the look in principle, but every synesthesia relationship in the multimedia art works, and which is contained directly in education proposed by graduate course in Art and Media at the Federal University of Campina Grande. (UFCG). The approach presented here, the prospect of forming a multimedia professional the art and media director is multidimensional with regard to the aesthetics of art, concomitant to the technological expertise, creativity, direction and communication, necessary for the convergence of events artistic, in the present tasks of the director. The argument of the thesis is that, for education of art and media director, it is necessary mastery of the art in its aesthetic field, with the understanding of the techniques for its implementation. It aims to present an approach to the education of art and media directors as essential to putting a proposal in this multidimensional way, with the support the technological tools that exist the multimedia, without forgetting that the art and media direction should prevail by the way, as an act of contemplation and enjoyment when reading the works of art. The argument being put forward is that to prevent the fragmentation of the art understanding of the universe works of multimedia, more specifically in the art and media direction, offering another opportunity for training, in contrast to those of top-level schools which resolve to work through art its materiality. To that end, use the philosophical aesthetics, proposed by Luigi Pareyson in your theory of formativity, as category for the understanding of the existence of a fragmentation of the art and the Pareyson's hermeneutics as methodology. Through the philosophical aesthetics, it opens the possibility of understanding the art of a less specific or focused only on technology, while at the same time, even within a specific, we are establishing a dialogue with the whole, which is vital for the role of art and media director. If there is a multimedia art, against the other unimedia and if there is an education that understands differences between them, we interpret that as the fragmentation of art prevents the understanding of multimedia art universe. |