Situações fotográficas: a imersão do corpo no espaço como forma

Detalhes bibliográficos
Ano de defesa: 2019
Autor(a) principal: Oliveira, Francisco Diêgo Vieira de
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
Artes Visuais
Programa de Pós-Graduação em Artes Visuais
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/21288
Resumo: Situações fotográficas is a project that seeks to investigate the immersion of the body as sculpture in everyday spaces, providing performative situations focused on photography. It arises from the interest in approaching the exhibition space of galleries, sually predestined to be of the viewer, as a possible way of becoming / being art, and the spectator as participant, besides approaching the photography in the enlarged field before the image freeze, bringing as theoretical reference the writings of Stéphane Huchet. The research uses the A/r/tography approach, from the thought of Dias and Irwin, and is presented in a catalog-book format, bringing a brief survey of contemporary artists, and even young people on the art circuit, who work with expanded photography and performances focused on video and photography. For the accomplishment of the practical part, Instagram and the hashtag #SituaçõesFotográficas were used as a means of interaction between artist and spectator-participant, for the collection of images realized by the users of the platform as project experiment. As an artistic reference we bring the French Marcel Duchamp together with the Brazilians Rosangela Rennó, Cildo Meireles, Regina Silveira, among others who also discuss in their works questions related to the space of the work and the space of the spectator, which Aumont presents us as plastic space and exhibition space.