Fontes Iconográficas e memória afrocêntrica: análise da informação étnico-racial a partir do ensaio fotográfico Engenhos e Senzalas.
Ano de defesa: | 2013 |
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Autor(a) principal: | |
Orientador(a): | |
Banca de defesa: | |
Tipo de documento: | Dissertação |
Tipo de acesso: | Acesso aberto |
Idioma: | por |
Instituição de defesa: |
Universidade Federal da Paraíba
Brasil Ciência da Informação Programa de Pós-Graduação em Ciência da Informação UFPB |
Programa de Pós-Graduação: |
Não Informado pela instituição
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Departamento: |
Não Informado pela instituição
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País: |
Não Informado pela instituição
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Palavras-chave em Português: | |
Link de acesso: | https://repositorio.ufpb.br/jspui/handle/tede/3941 |
Resumo: | Information Science, has gradually assumed greater visibility and accountability in the context of socio-cultural dynamics. In this sense, the ethnic and racial issues are incorporated into the debate in the field, towards the elimination of racial practices, discrimination and black people silencing. In this perspective thoughts on the ethical and racial information sources are pointed out, that is the origin places of the information that reflect historical and cultural elements in the assertion of an ethnical group compared to contemporary multiculturalism. In the diversity of sources, the emphasis is given in pictures, believing that they are able to express aspects of life and social interactions regarding to Afrocentric culture. Thus, this present study aims at exploring the iconographic sources of ethno-racial information as a way of preserving Afrocentric culture in the photographical essay titled Engenhos and Senzalas. Operationally, the work intends to identify, contextualize and characterize the iconographical sources of information racial-ethnic, as well as to analyze the social cultural function of the archive where they are kept in and how these photographs (typological elements characteristics of the given sources) can serve as elements of representation and preservation of Afrocentric culture. In terms of methodology, it is a qualitative descriptive and exploratory research, based on critical-analytical methods such as document analysis and discourse analysis. Data collection has identified seventeen photographs produced in 1982, which aimed to represent the relationships between land lords and slaves in the post slavery period. The results show that photographs trigger the maintenance of the Afrocentric memory marginalized unable to adduce the black as a citizen even free. Thus, it is the archive information professional responsible to assign other mechanisms and information sources to crystallize the social role of the black people. |