Montagem de espetáculos como forma de aprendizagem das artes cênicas : uma experiência com Lendas do Mar e Meidifêra

Detalhes bibliográficos
Ano de defesa: 2018
Autor(a) principal: Trigueiro, Ingrid Pereira
Orientador(a): Não Informado pela instituição
Banca de defesa: Não Informado pela instituição
Tipo de documento: Dissertação
Tipo de acesso: Acesso aberto
Idioma: por
Instituição de defesa: Universidade Federal da Paraíba
Brasil
Artes Cênicas
Mestrado Profissional em Artes em Rede Nacional
UFPB
Programa de Pós-Graduação: Não Informado pela instituição
Departamento: Não Informado pela instituição
País: Não Informado pela instituição
Palavras-chave em Português:
Link de acesso: https://repositorio.ufpb.br/jspui/handle/123456789/13171
Resumo: The present work consists of two case studies carried out with teenagers between 12 and 15 years of age enrolled in several schools in the city of João Pessoa - PB, who study theater at the Municipal School of Arts / Casa das Artes, as part of after-school activities. The goal with the research was to reflect the process and practice of the theatrical staging, emphasizing the space and extent of the scene in the school and how to work with the students the theatrical elements through teaching, learning and its pedagogical aspects. Thinking of our contribution as a teacher and actress in the search to make a connection between the procedures used and in what way they can be used by the students during a setting procedure. The stimuli were developed through theatrical games, corporal expression, vocal and appreciation of spectacles, in a way that the students would fulfill tasks in order to understand the construction of a theatrical scene, understanding their participation both individually and collectively. The investigation reflects how classroom activities aid the preparation of the staging and the construction of theatrical experiments Lendas do Mar and Meidifera. The contrast of two experiments confirms the opportunity of the students to exercise their ideas, suggestions and creativity as active subjects on this process.